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I AM COW, HEAR ME MOO!

Forget Helen Reddy. Nadine is a poster cow for self-mortification. (Picture book. 3-5)

Esbaum presents a wobbly story about a cow of wobbly confidence (though no shortness of bluster).

In this rhymed production, Nadine and her bovine buddies, Starla and Annette, live on a farm at the edge of the woods. Nadine brags to them that she fears nothing, not even the woods. Full of wind and sure her friends will decline, Nadine suggests a forest excursion—only to find them willing: “Well, moooove it, Nadine,” Starla tells her. Tentatively, Nadine takes a step, then another, and soon enough they are tootling about in the woods having a good time. The sun starts setting; Starla and Annette grow uneasy. Nadine has become comfortable in her Supercow mantle, choosing to dawdle in a cave that has caught her eye. When she emerges, the others have gone, night is on her, and so are the heebie-jeebies. When her tail tickles her rump, off she goes, driven by stark terror over a cliff. She falls into a handy pond, where her friends handily are wandering around lost. A heroine once more, Nadine now gives night tours of the woods. Readers will feel that something isn’t right here, and it’s not just Gordon’s distractingly overbusy photo-collage artwork. It’s why Nadine would eagerly now lead night walks even as the text expressly tells them she’s still afraid of the woods.

Forget Helen Reddy. Nadine is a poster cow for self-mortification. (Picture book. 3-5)

Pub Date: May 15, 2014

ISBN: 978-0-8037-3524-8

Page Count: 32

Publisher: Dial Books

Review Posted Online: Feb. 11, 2014

Kirkus Reviews Issue: March 1, 2014

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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I'M A HARE, SO THERE!

Animated and educational.

A hare and a ground squirrel banter about the differences between related animals that are often confused for one another.

Jack is “no Flopsy, Mopsy, or Cottontail,” but a “H-A-R-E, hare!” Like sheep and goats, or turtles and tortoises, rabbits and hares may look similar, but hares are bigger, their fur changes color in the winter, and they are born with their eyes wide open. As the ground squirrel (not to be mistaken for a chipmunk (even though Jack cheekily calls it “Chippie”) and Jack engage in playful discussion about animals, a sneaky coyote prowls after them through the Sonoran Desert. This picture book conveys the full narrative in spirited, speech-bubbled dialogue set on expressive illustrations of talking animals. Dark outlines around the characters make their shapes pop against the softly blended colors of the desert backgrounds. Snappy back-and-forth paired with repetition and occasional rhyme enhances the story’s appeal as a read-aloud. As the story progresses, the colors of the sky shift from dawn to dusk, providing subtle, visual bookends for the narrative. One page of backmatter offers a quick guide to eight easily confused pairs, and a second turns a subsequent exploration of the book into a seek-and-find of 15 creatures (and one dessert) hidden in the desert. Unfortunately, while most of the creatures from the seek-and-find appear in poses that match the illustrations in the challenge, not all of them are consistently represented. (This book was reviewed digitally with 7-by-20-inch double-page spreads viewed at 53.3% of actual size.)

Animated and educational. (Picture book. 3-5)

Pub Date: March 16, 2021

ISBN: 978-0-358-12506-8

Page Count: 32

Publisher: HMH Books

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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