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ARM CANDY

Despite some witty banter, there is little to distinguish this book, or Eden as a character, from others of the chick-lit...

Iconic muse of the New York City art scene contemplates cougardom as 40 looms.

Eden is sure her ethereal beauty will be her ticket out of her backwater hometown. Drawn to Manhattan by the lure of a modeling career, the fetching high-school dropout, after a brief stint as head groupie to a rock star, latches on to Wes, a sensitive, bespectacled architecture student. Soon, however, an older man, Otto, a painter at the top of the art heap, notices 19-year-old Eden and whisks her away to his rarified world of international jetsetters, well-heeled collectors and post-Warhol hedonism. Otto paints Eden in various states of undress, and, overnight, she’s a worldwide sensation, beating out Demi Moore for glossy cover space. Otto and Eden cohabit, travel the world and produce a son, but they never marry. Through it all, Eden turns to her trash-talking high-school buddy Allison for moral support. Allison’s fluency in the latest argot, and her role as cynical foil to Eden’s at times enervating guilelessness, enliven the book, but not often enough. When Otto seduces his latest dewy assistant, Eden storms out, heading uptown, where her looks, still holding at 39, net another conquest: Chase, scion of old-money Upper East Siders, handsome enough to flummox an entire gay bar even if he’s only there for Broadway Karaoke. He falls hard for Eden, although she’s 12 years older, scandalizing his mother Brooke. His grandmother Ruthie urges Chase to bust out of his noblesse oblige and throw off the yoke of Brooke and his “Hitchcock blonde” girlfriend Liesel, whom Chase has kept hankering after the diamond in Ruthie’s vault way too long. When Liesel dumps him, Chase’s path to Eden is clear, but a chance encounter reopens Eden’s roads not taken, with predictable results.

Despite some witty banter, there is little to distinguish this book, or Eden as a character, from others of the chick-lit genre.

Pub Date: May 1, 2010

ISBN: 978-0-525-95159-9

Page Count: 336

Publisher: Dutton

Review Posted Online: Sept. 21, 2010

Kirkus Reviews Issue: March 15, 2010

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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