Snarky, unconventional humor that pokes fun at just about everything.
One woman’s quirky perspective on life.
The creator of Bravo’s Odd Mom Out, Kargman (Sometimes I Feel Like a Nut: Essays and Observations, 2011, etc.) dishes out a variety of essays that poke fun at herself, her family, friends, and the world in general. Short, acerbic, and sometimes laugh-out-loud funny, the narratives come from her experiences as a teen, a wife, a mother, and from observations of the world around her. In “Orlandon’t,” she covers the multiple reasons not to take your child to Disney World: the color scheme, the endless lines, the expensive and tacky merchandise, etc. She writes about things that irk her—children in leopard leggings, identical twins who are dressed alike, tapas bars, “people in the audience at the Oscars who clap harder for some dead people than other dead people”—but also offers sweeter pieces such as her celebration of her mother’s words of wisdom. Her humor is often laced with expletives and slang terms, adding a hipster attitude that’s not really needed to achieve the level of humor she’s striving to reach. If you want to know how she and her family got coveted plots in a cemetery on Nantucket, read “Dying to Get In.” Curious to know who she’s had a lifelong crush on? “You’re the One that I Want.” Ever wonder what a stripper class is like? Kargman attended one and lets you know what she thinks. Everything is fair game as the author babbles about the difficulty of getting her son into kindergarten in New York, why her family resembles the Munsters, being a Jewish child and attending summer camp in Maine, questions she poses to the universe, her love of Thanksgiving, or euphemisms she’s invented. The collection is an odd mix best read in short spurts. Prepare to laugh, but then move on, as this fluff is not very filling.
Snarky, unconventional humor that pokes fun at just about everything.Pub Date: Sept. 6, 2016
ISBN: 978-0-399-59457-1
Page Count: 224
Publisher: Ballantine
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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