The author’s trademark gifts—vivid, economical characterizations, distinctive voices, fierce intelligence—are evident on...
Another fine collection from short-fiction master McCorkle (Creatures of Habit, 2001, etc.), in a very dark mood indeed.
The title story sets the tone, limning the constricted life of a woman who stays home with her dying mother while her selfish married sisters patronize her as they always have. Debby was the unusual one who “dated people of different colors” and wore white shoes after Labor Day; now she’s trapped by her own niceness and can only dream, “Pack a bag. Pull the plug. Take your turn.” Death is a frequent visitor here. The sexy, can’t-pin-him-down boyfriend in “Driving to the Moon” lost his parents in a plane crash at 17 and flits in and out of the narrator’s life after high school, phoning whenever there’s an air disaster. The living cling to the dead in “Another Dimension,” the saddest piece. After their mother dies, 11-year-old Jimmy and eight-year-old Ann sabotage their father’s happiness with a kind waitress; Jimmy can’t tolerate her low-class ways, and Ann goes along, even though she’s drawn to the woman’s warmth. In the framing narrative, we see the adult siblings unable to sustain loving relationships, while the spurned waitress is a contented grandmother. Only the ultrasarcastic “PS,” a woman’s post-divorce letter to the marriage counselor who didn’t help, provides a welcome dose of McCorkle’s tart humor, and it’s extra tart here. (“I suspect being bored and having your mind wander during marriage counseling is not a good sign.”) “Magic Words” is downright scary, as a woman heading toward a first-time adulterous tryst is stymied by a girl fleeing her gang’s spookily angry “leader,” who is terrorizing their retired math teacher. The lone tender note is struck in “Intervention,” about a woman comforting her alcoholic husband because he forgave her an affair and her own drunkenness.
The author’s trademark gifts—vivid, economical characterizations, distinctive voices, fierce intelligence—are evident on every page. Now let’s hope she cheers up a little next time.Pub Date: Sept. 22, 2009
ISBN: 978-1-56512-632-9
Page Count: 272
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2009
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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