Here and there, A Desert in Bohemia provokes and moves. But it’s a novel that ought to have had a much sharper edge:...
Well-known for both her YA and adult fiction (The Serpentine Cave, 1997, etc.), Walsh paints her most crowded canvas yet in this ambitious tale of two countries—one real, one invented—in the wake of WWII and through the collapse of the Berlin Wall in 1990.
Fictional Comenia (an alternative Czechoslovakia, whose natives in fact speak Czech) is the primary theater for the story’s operations, which exfoliate from the ousting of Count Michael Blansky from his ancestral castle (by Communist “revolutionaries”) and the emigration of Blansky’s neighbor, the tradesman Frantisek, to England. Walsh focuses in turn on nine individuals variously affiliated with these two principals and afflicted by their country’s 40-year experience of Communist domination. They include the Count’s distracted sister Anna, a victim of the war for long afterward; Hedva, the villager whose avaricious resentment of her “betters” makes her all but indistinguishable from their country’s oppressors; Blansky’s son Pavel, another emigrant who becomes fully anglicized in the sanctuary provided by his father’s wealth, and Pavel’s daughter Kate, drawn compulsively back toward Comenia by her love for her distant cousin Tomas; and Eliska, a hopeful young woman both matured and compromised by her infatuation with Jiri, a fiery Communist ideologue. Walsh works hard, and occasionally to powerful effect, in demonstrating how these and other characters are shaped and limited by exterior circumstance. Unfortunately, the contrived manner in which most of them (more than a little unbelievably) prevail suggests that her allusive title (from Shakespeare’s The Winter’s Tale) all too accurately forecasts romance-like patterns and resolutions in a place that never existed.
Here and there, A Desert in Bohemia provokes and moves. But it’s a novel that ought to have had a much sharper edge: altogether, a disappointing successor to the better of Walsh’s books for grownups.Pub Date: Dec. 1, 2000
ISBN: 0-312-26263-9
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2000
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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