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THE WOMAN WHO CAN’T FORGET

THE EXTRAORDINARY STORY OF LIVING WITH THE MOST REMARKABLE MEMORY KNOWN TO SCIENCE

Price’s story is intriguing, but ultimately fails to shed light on a little-understood subject.

Think having near-perfect recall would be a huge asset? The first person ever diagnosed with hyperthymestic syndrome begs to differ.

“Imagine if someone had made videos of you from the time you were a child,” writes Price in a memorable description of what it’s like to recall practically every detail from your life, “and then combined them all onto one DVD, and you sat in a room and watched that DVD on a machine set to shuffle randomly through the tracks…I never know what I might remember next.” She wasn’t afflicted by this “gift” during her childhood in New York and New Jersey. But when her father was offered a promotion from talent agent to TV executive and moved the family to California in the fall of 1974, eight-year-old Price’s mind began to fill up with memories of every minute in her past. After February 5, 1980, she states, she had perfect recall. This endlessly distracting ability caused her to become a pack rat with possessions and obsessive-compulsive about recording her experiences (the total number of pages in her journals tops 50,000). In 2000, Price connected with Dr. James L. McGaugh, professor emeritus at the Center for the Neurobiology of Learning and Memory at the University of California, Irvine, who began to study her heretofore unknown but quite real condition. Price has a knack for vividly rendering childhood memories like scenes from an impressionistic film. The chronicle of her adult life, unfortunately, is told in stiff, repetitive prose that leaches out much of her story’s impact. The memoir’s effectiveness as a personal document is further muffled by a large amount of material on memory research presented in an overly general fashion.

Price’s story is intriguing, but ultimately fails to shed light on a little-understood subject.

Pub Date: May 6, 2008

ISBN: 978-1-4165-6176-7

Page Count: 202

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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