Neither exactly a book about colors nor exactly a book about seasons, this is a reminder to slow down, savor the present,...
Readers experience the colors and sensations of the world through the varying moods and observations of one little girl.
A golden-skinned child with straight black hair frolics in the water, noticing that the sea looks blue from a distance. “But when I hold the water in my hands, it’s as clear as glass.” She ponders hidden colors, from the orange of the yolk nestled inside an egg to the red blood that is always pumping through her body, whether she is calm and quiet or running across a playground filled with ethnically diverse children in school uniforms. Her mood soars as she imagines riding a boat over waving yellow grass but comes thudding down to earth as she disembarks from her school bus beside said grassy field, stepping into the cold grayness of a rainy day. The exuberant joys of spring and summer, the return of autumn, and the natural slowing down of winter’s return mark the passage of time. The poetic language pairs well with the acrylic-and-Photoshop paintings. Most of the artwork conveys movement and feeling rather than being meticulously literal—such as when the girl muses about the color of blue whales and impressionistic dabs of darker blue form the flukes of a whale beneath her—with the startling exception of the detailed, highly realistic spread of crows taking flight.
Neither exactly a book about colors nor exactly a book about seasons, this is a reminder to slow down, savor the present, notice small details, and relish childlike wonder. (Picture book. 4-8)Pub Date: March 13, 2018
ISBN: 978-1-4197-2851-8
Page Count: 40
Publisher: Abrams
Review Posted Online: Jan. 12, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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A sweet notion that falls flat.
A hit song reimagined as a book about parental love.
Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.
A sweet notion that falls flat. (Picture book. 4-7)Pub Date: April 1, 2025
ISBN: 9780593622599
Page Count: 32
Publisher: Viking
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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