by Jillian Tamaki ; illustrated by Jillian Tamaki ‧ RELEASE DATE: March 13, 2018
Neither exactly a book about colors nor exactly a book about seasons, this is a reminder to slow down, savor the present,...
Readers experience the colors and sensations of the world through the varying moods and observations of one little girl.
A golden-skinned child with straight black hair frolics in the water, noticing that the sea looks blue from a distance. “But when I hold the water in my hands, it’s as clear as glass.” She ponders hidden colors, from the orange of the yolk nestled inside an egg to the red blood that is always pumping through her body, whether she is calm and quiet or running across a playground filled with ethnically diverse children in school uniforms. Her mood soars as she imagines riding a boat over waving yellow grass but comes thudding down to earth as she disembarks from her school bus beside said grassy field, stepping into the cold grayness of a rainy day. The exuberant joys of spring and summer, the return of autumn, and the natural slowing down of winter’s return mark the passage of time. The poetic language pairs well with the acrylic-and-Photoshop paintings. Most of the artwork conveys movement and feeling rather than being meticulously literal—such as when the girl muses about the color of blue whales and impressionistic dabs of darker blue form the flukes of a whale beneath her—with the startling exception of the detailed, highly realistic spread of crows taking flight.
Neither exactly a book about colors nor exactly a book about seasons, this is a reminder to slow down, savor the present, notice small details, and relish childlike wonder. (Picture book. 4-8)Pub Date: March 13, 2018
ISBN: 978-1-4197-2851-8
Page Count: 40
Publisher: Abrams
Review Posted Online: Jan. 12, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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by Stephen King ; illustrated by Maurice Sendak ‧ RELEASE DATE: Sept. 2, 2025
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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