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THE GINGERBREAD MAN

Name: THE GINGERBREAD MAN
Author: Jim Aylesworth
ISBN: 0-590-97219-7

adapted by Jim Aylesworth & illustrated by Barbara McClintock ‧ RELEASE DATE: April 1, 1998

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A traditional cumulative tale, which Aylesworth (My Sister's Rusty Bike, 1996, etc.) endows with a lively pace, is illustrated in a decidedly old-fashioned style, giving the book the look and feel of a reproduction of an old edition. Working with precise pen-and-ink, McClintock portrays the cozy home of an elderly couple, dressed in Victoriana and in possession of a great wood-burning stove. Her work has never been more animated than in the scenes of the two-dimensional gingerbread man running away, exuberantly eluding everyone elsethe couple, a butcher, and a cow and pig dressed in human clothesuntil he is devoured by a fox. The portrayals of a cow and pig are more bizarre than charming, and the too-obvious wrinkles on the elderly people's faces are one example of eccentric choices on the part of the illustrator.With Richard Egielski's The Gingerbread Boy (1997) hot off the press and other fine variations of the tale still in print, it's hard to make the case for this one, other than to appreciate its antique look. (Picture book/folklore. 4-6)

Pub Date: April 1, 1998

ISBN: 0-590-97219-7

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1998

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
MY GRANDFATHER'S COAT
by Jim Aylesworth ; illustrated by Barbara McClintock

- BOOK REVIEW
COCK-A-DOODLE DOO, CREAK, POP-POP, MOO
by Jim Aylesworth & illustrated by Brad Sneed

- BOOK REVIEW
THE MITTEN
by Jim Aylesworth and illustrated by Barbara McClintock

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BEAUTIFUL, WONDERFUL, STRONG LITTLE ME!

by Hannah Carmona Dias ; illustrated by Dolly Georgieva-Gode ‧ RELEASE DATE: Sept. 14, 2018

Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses...

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This tan-skinned, freckle-faced narrator extols her own virtues while describing the challenges of being of mixed race.

Protagonist Lilly appears on the cover, and her voluminous curly, twirly hair fills the image. Throughout the rhyming narrative, accompanied by cartoonish digital illustrations, Lilly brags on her dark skin (that isn’t very), “frizzy, wild” hair, eyebrows, intellect, and more. Her five friends present black, Asian, white (one blonde, one redheaded), and brown (this last uses a wheelchair). This array smacks of tokenism, since the protagonist focuses only on self-promotion, leaving no room for the friends’ character development. Lilly describes how hurtful racial microaggressions can be by recalling questions others ask her like “What are you?” She remains resilient and says that even though her skin and hair make her different, “the way that I look / Is not all I’m about.” But she spends so much time talking about her appearance that this may be hard for readers to believe. The rhyming verse that conveys her self-celebration is often clumsy and forced, resulting in a poorly written, plotless story for which the internal illustrations fall far short of the quality of the cover image.

Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses the mark on both counts. (Picture book. 4-6)

Pub Date: Sept. 14, 2018

ISBN: 978-1-63233-170-0

Page Count: 32

Publisher: Eifrig

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
DAZZLING TRAVIS
by Hannah Carmona Dias ; illustrated by Brenda Figueroa

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ON MEADOWVIEW STREET

by Henry Cole & illustrated by Henry Cole ‧ RELEASE DATE: May 1, 2007

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While her father mows the lawn at her new house, Caroline wonders how it could actually reflect the street’s name. Soon she finds a small blossom growing in the grass, then another, and eventually persuades Dad to sell the mower while the yard grows freely with wildflowers. Adding a maple tree and a man-made pond attracts an assortment of wildlife from birds, to insects, to a mud turtle and a meadow mouse. Neighbors are encouraged to follow suit, creating meadow environments rather than pristine lawns. Full-color acrylic paintings in double-paged spreads of multiple shades of green, dotted with hues of summer flowers, tell this nature-lover’s story which suggests the possibility of chemical-free garden environments. Though the message will be missed by young children, most will enjoy a final rendering of all the meadow creatures next to their proper names that now live on Meadowview Street. Gentle persuasion for the naturalist in everyone. (Picture book. 4-6)