by Jim DeFelice ‧ RELEASE DATE: May 8, 2018
Good stuff for Western history buffs, to say nothing of fans of the Post Office.
Of thundering hooves and priority mail: a lively history of the short-lived but much-evoked Pony Express.
As novelist and pop historian DeFelice (The Helios Conspiracy, 2012, etc.) acknowledges throughout, there’s not much that we know with absolute certainty about some of the players and events in the Pony Express effort, a private enterprise for which records are not always available. The service was fast—a letter could cross half the continent in 10 days thanks to the relay system of riders and fast horses—but “the idea of speed was really the important thing” in a time when telegraph lines were going up and plans for a transcontinental railroad were being conjured. The key players were an unlikely mix of slaveholders, frontiersmen, freighters, and entrepreneurs who saw opportunity in providing a communications infrastructure to a military stretched out across a vast, sparsely settled region. But there’s much more to the Pony Express than just business history, for it threads into a landscape populated by young legends-to-be like Buffalo Bill Cody and Wild Bill Hickok, whose stories DeFelice happily weaves into the narrative: Courage and stamina were desiderata, of course, but as he notes, “if gunplay figured into it, so much the better, but you didn’t have to be literally wild to be celebrated. Being tenacious and undaunted in the face of myriad hardships would do.” There’s plenty in the memories of supposed riders like Cody to suggest truth but not much hard evidence to say that they were actually onboard, which lends a nice hazy touch to the whole legend. Soon enough—in just a couple of years—the likes of Western Union, founded by an associate of Samuel Morse, “whose greatest genius was his ability to acquire and merge the various small companies operating local lines,” would put an end to the Pony Express, but for all that, it lives on in memory.
Good stuff for Western history buffs, to say nothing of fans of the Post Office.Pub Date: May 8, 2018
ISBN: 978-0-06-249676-8
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: March 5, 2018
Kirkus Reviews Issue: March 15, 2018
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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