A loving portrayal of a never-forgotten connection with the natural world.
Matt, his sister, Katie, and his best friend, Pablo, revive a pond in the woods and enjoy it throughout the seasons.
Gorgeous, softly colored illustrations add to the magic of this remembered experience. Done in acrylics, colored pencil, and opaque ink and accurate in their nature detail, they fill each double-page spread. Before and after scenes on the endpapers reveal the neighboring suburbs and city beyond, but, except for Matt’s first venture out of his yard before the title page, the artist concentrates on the pond: its discovery, cleaning and rebuilding, the weather, the bugs, the old rowboat, the birds, and the joys of being in and around the water. Katie collects feathers to make the necklace she wears throughout the summer, reads about the creatures they encounter, and shares what she’s learned. A grand, wordless spread looks down on the children enjoying their pond, inviting readers into this idyllic world. There's a campout to end the summer, skating in the winter, and a slim plot involving a heart-shaped piece of blue quartz. Matt and Katie are white, and Pablo has darker hair and skin; these are the Wisconsin children of the author-illustrator’s childhood. (Is it the adult artist painting the pond on the final page?)
A loving portrayal of a never-forgotten connection with the natural world. (Picture book. 4-8)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-4735-5
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: June 27, 2016
Kirkus Reviews Issue: July 15, 2016
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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