by Jim Lynch ‧ RELEASE DATE: April 19, 2016
Lynch dissects an uncommon family with, after all, more than one thing in common in a highly readable tale.
A cautionary tale of obsession and what it can cost tells of three generations whose devotion to sailing holds them together until it sunders them.
Through the first-person voice of middle son Josh and smooth tacking between the present and past, Lynch (Truth Like the Sun, 2012, etc.) charts the shifting fortunes of the Johannssen family. Gramps, known as Grumps, and his son, Bobo Jr., design sailboats in the Pacific Northwest, where the son is a racing legend. His wife, a physics teacher, explains the science of wind and water to their three children, while he bullies them into mastering everything else from stem to stern. The eldest, Bernard, and Josh become accomplished sailors, but little sister Ruby is possessed of marine magic. When she inexplicably scuttles her chances for a spot in the Olympics, however, it’s clear there are cracks in the Johannssen crew. Ruby will abandon sailing for volunteer work on a hospital ship off Africa; Bernard heads out to sea solo and a gypsy life partly supported by illegal butterfly sales. The Bobos run their boat business into trouble, and Mom emerges from a decade of work on a 150-year-old math riddle unsure if she should submit her solution. Josh remains close to home, working in a boatyard and living in a marina on one of his family’s designs. No longer a competitive sailor, he still keeps a mental log of the Johannssens’ past glories and recent struggles. The book’s present concerns his eccentric co-workers and neighbors, including one named Noah who provides comic counterpoint on familial harmony in the animal kingdom with a Morgan Freeman imitation and quotes from the voice-over of March of the Penguins. Josh’s marina life and computer dates offer glimpses of an alternative family amid his father’s push to bring the clan together for one last race.
Lynch dissects an uncommon family with, after all, more than one thing in common in a highly readable tale.Pub Date: April 19, 2016
ISBN: 978-0-307-95898-3
Page Count: 304
Publisher: Knopf
Review Posted Online: Jan. 30, 2016
Kirkus Reviews Issue: Feb. 15, 2016
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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