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THE VERY INAPPROPRIATE WORD

Young word lovers will have lots to peruse here.

Michael’s love of words is celebrated in speech bubbles and comedic situations.

Michael notices words everywhere, from signs on the highway to commercials on the television. At school, his teacher, Mrs. Dixon, gives the class a new spelling word every day. He saves his words in a box under his bed. Everything is fine until one day, on the school bus, he hears a new word that is “very inappropriate.” Though he knows the word is bad, there is something Michael likes about the word, and he continues to share it. Soon, all the kids at school are using it. When wise Mrs. Dixon gets wind of the situation, she comes up with her own way to replace this word with something more appropriate. It’s nice to see a boy (and a boy of color, no less) be so interested in words. Comic-book elements work well with Coverly’s droll cartoon style, especially the frequent use of shaped speech bubbles, which give his word collection delightful physicality. Michael’s eyes bulge and his ears flap, making him easy to find on the energetic pages. (His father’s eyes bulge too, but in a distracting way that makes it look like he has an extra eye, something children are sure to notice.) Teachers will enjoy this amusing celebration of vocabulary and will find many ways to spur their students’ imaginations into creating speech bubbles of their own.

Young word lovers will have lots to peruse here. (Picture book. 4-9)

Pub Date: Aug. 6, 2013

ISBN: 978-0-8050-9474-9

Page Count: 40

Publisher: Henry Holt

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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