Eighteen fantastic stories, including parodies, inspired by horrormeister H.P. Lovecraft (18901937). Some are reprints from earlier Lovecraftian anthologies, but most come from original magazines, rare limited-edition chapbooks, and one from an ephemeral convention program guide. Editor Turner describes the Providence recluse, whose fame arose decades after his death, as a fantasist of cosmic wonder, a scientific materialist indifferent to the cosmos-at-large, and an atheist who nonetheless expressed fervent feelings of ``mystic adventurous expectancy.'' Turner has the great good wisdom to kick off his collection with F. Paul Wilson's wonderfully mellow ``The Barrens,'' about the Piney Lights and the Jersey Devil that haunt the huge New Jersey pine barrens and grant the reader a creepy backwoods entry beyond the veil. In Lawrence Watt-Evans's ``Pickman's Modem,'' an astral modem rewrites a bad speller's prose, goes off into tirades ``of stupendous fury and venom,'' and may well have fed Pickmanthe bad speller himselflive to the Internet. Kim Newman's ``The Big Fish'' mixes Raymond Chandler's The Big Sleep with Lovecraftian slime, a vicious mermaid, and the Deep Ones of the Cthulhu Mythos. In her inspired hallucinatory Early Neon style, Poppy Z. Brite's ``His Mouth Will Taste of Wormwood'' tells of two New Orleans decadents who've come into 50 outlawed bottles of absinthe and are at wits' end for some new perversion: They open their own personal museum or charnel house for holding the severed head of one of their mothers, stolen eyeballs, withered hands and heads, and a voodoo fetish that just happens to be a pettish vampire's lost canine tooth . . . which he wants back. Also outstanding: T.E.D. Klein's velvet ``Black Man with a Horn'' and Roger Zelazny's delicate ``24 Views of Mt. Fuji, by Hokusai.'' Not a dead page in this sinless sheaf. Does Arkham and Lovecraft proud—and may Arkham someday reprint its first book ever, Lovecraft's omnibus The Outsider.
Pub Date: Dec. 11, 1995
ISBN: 0-87054-169-2
Page Count: 429
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 1995
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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