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CTHULHU 2000

A LOVECRAFTIAN ANTHOLOGY

Eighteen fantastic stories, including parodies, inspired by horrormeister H.P. Lovecraft (18901937). Some are reprints from earlier Lovecraftian anthologies, but most come from original magazines, rare limited-edition chapbooks, and one from an ephemeral convention program guide. Editor Turner describes the Providence recluse, whose fame arose decades after his death, as a fantasist of cosmic wonder, a scientific materialist indifferent to the cosmos-at-large, and an atheist who nonetheless expressed fervent feelings of ``mystic adventurous expectancy.'' Turner has the great good wisdom to kick off his collection with F. Paul Wilson's wonderfully mellow ``The Barrens,'' about the Piney Lights and the Jersey Devil that haunt the huge New Jersey pine barrens and grant the reader a creepy backwoods entry beyond the veil. In Lawrence Watt-Evans's ``Pickman's Modem,'' an astral modem rewrites a bad speller's prose, goes off into tirades ``of stupendous fury and venom,'' and may well have fed Pickmanthe bad speller himselflive to the Internet. Kim Newman's ``The Big Fish'' mixes Raymond Chandler's The Big Sleep with Lovecraftian slime, a vicious mermaid, and the Deep Ones of the Cthulhu Mythos. In her inspired hallucinatory Early Neon style, Poppy Z. Brite's ``His Mouth Will Taste of Wormwood'' tells of two New Orleans decadents who've come into 50 outlawed bottles of absinthe and are at wits' end for some new perversion: They open their own personal museum or charnel house for holding the severed head of one of their mothers, stolen eyeballs, withered hands and heads, and a voodoo fetish that just happens to be a pettish vampire's lost canine tooth . . . which he wants back. Also outstanding: T.E.D. Klein's velvet ``Black Man with a Horn'' and Roger Zelazny's delicate ``24 Views of Mt. Fuji, by Hokusai.'' Not a dead page in this sinless sheaf. Does Arkham and Lovecraft proud—and may Arkham someday reprint its first book ever, Lovecraft's omnibus The Outsider.

Pub Date: Dec. 11, 1995

ISBN: 0-87054-169-2

Page Count: 429

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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