by J.K. Rowling illustrated by Joel Holland ‧ RELEASE DATE: April 14, 2015
That second matter is a point that could stand elaboration. On the strength of this sharp, inspirational piece, we hope that...
Harry Potter’s creator faces a crowd of uber-Muggles—the graduating class of Harvard University—whom she enjoins to stretch their minds and be awesome.
Today, Rowling (The Casual Vacancy, 2012, etc.) is massively wealthy, but that wasn’t the case a quarter-century ago, when she was “as poor as it is possible to be in modern Britain without being homeless.” That condition might have been an I-told-you-so moment for the parents who worried that by pursuing a degree in classics she was setting herself up for penury. “Of all the subjects on this planet,” she writes, “I think they would have been hard put to name one less useful than Greek mythology when it came to securing the keys to an executive bathroom.” Instead, she tells her eager audience, it was a wake-up call: she had failed dramatically, and about the only place to go was up, which is, after all, the lesson one hopes to learn from failure. The classics prove steadfast companions in this brief volume. Though she’s best known for a few Latin taglines by way of magical spells, Rowling makes neat connections between the challenges of modern life and the tutelary examples of Seneca, Plutarch, and the other ancients. While she discounts the ennobling aspects of poverty and misery, it’s also clear that her education provided her with some steel to face those hardships. The author’s quiet praise of liberal education forms one theme. A second, the importance of the imagination, is perhaps the more expected one, but Rowling takes a nicely unsettling detour by recounting her time spent working for Amnesty International and witnessing how monstrous people can be. The unimaginative, she ventures, are more afraid of the world than the imaginative and in turn, “enable real monsters.”
That second matter is a point that could stand elaboration. On the strength of this sharp, inspirational piece, we hope that Rowling will add a book of essays to her CV.Pub Date: April 14, 2015
ISBN: 978-0-316-36915-2
Page Count: 80
Publisher: Little, Brown
Review Posted Online: April 11, 2015
Kirkus Reviews Issue: May 1, 2015
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by J.K. Rowling ; illustrated by Jim Field
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
by Stephen Batchelor ‧ RELEASE DATE: Feb. 18, 2020
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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