A taut and exhilarating techno-thriller.
In Hancock’s thriller, a covert, military-trained American team fights to shut down an AI-related project brewing in Central Asia.
War veteran and widower “Voodoo” leads a group of hackers and “wrench-turners” for the United States Naval Special Warfareunit at the Directorate in San Diego. His skills earned him a spot in a rescue operation the previous year in Japan; now, the CIA station chief in Japan wants the same team for a mission in Central Asia, which, like the previous op, has ties to an escalating artificial intelligence Cold War. That’s not the only connection—the God Algorithm, a powerful AI that Voodoo and the others learned about last year, may still be trouble. For their newest assignment, the team must first recover an asset named Kobra Siddik, who, after escaping a reeducation camp in China, rushes to make it across the border to Kazakhstan. She has intel Voodoo’s team needs, but she will only supply it if the team helps her get someone else out of the camp. Do the Chinese have the God Algorithm? And for what diabolical purpose will they use the AI? In any case, soldiers (courtesy of China’s Ministry of State Security) are gunning for Kobra as well as Voodoo, and such team members as the burly, taciturn Stu Slater and Voodoo’s redheaded directorate co-worker Sparks. The team’s ultimate goal is thwarting “this AI network” that seems to be gathering force. But that’s easier planned than done, as protests devolve into riots that upset the Kazakh city of Almaty, surprising villains crop up, and double-crossings throw everything into disarray.
Hancock packs this brisk thriller with rousing action scenes and intriguing ideas (a scientist makes a specific type of diamond whose value isn’t monetary; China uses a “predictive algorithm” that warns officials of the enigmatic “Sentinel” that will trigger insurgency). The narrative’s complex concepts are made abundantly clear via the action or characters’ discourse. That’s also true for the military and tech terminology, in addition to a veritable alphabet soup of acronyms for various organizations and shorthand communications (RTB: Return To Base). The novel delivers action in an entertaining fashion as the team skydives, goes undercover, and finds itself engaged in frenzied gunfights and pursuits. They also employ impressive technology, the highlight being four-legged, heavily-armed robotic machines that the team can access remotely. Best of all, the author meticulously develops the cast: Voodoo shares a tension with team member Mason Gallegos that harkens back to their tour in Afghanistan, and there are memorable individuals throughout, including the resilient Kobra, who comes with a tragic backstory; the ever-inquisitive Inspector Chen Wei; and the highly-skilled CIA operative Sasha Zhakupova. This sophomore series installment seamlessly connects to the preceding book—new readers will easily follow along, but may want to check out the series opener to avoid spoilers.
A taut and exhilarating techno-thriller.Pub Date: Jan. 18, 2025
ISBN: 9781640621718
Page Count: -
Publisher: Braveship Books
Review Posted Online: Dec. 2, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.
Following the mysterious disappearance of his wife, a struggling London novelist journeys to a remote Scottish island to try to get his mojo back—but all, of course, is not what it seems.
Grady Green hits the pinnacle of his publishing career on the same night that his life goes off the rails—first his book lands on the New York Times bestseller list, and then his wife, Abby, goes missing on her way home. A year later, Grady is a mere shadow of his former self: out of money and out of ideas. So, when his agent, Abby’s godmother, suggests that he spend some time on the Isle of Amberly, in a log cabin left to her by one of her writers, it seems as good a plan as any. With free housing for himself and his dog and a beautiful, distraction-free environment, maybe he can finally complete the next novel. But from the very beginning, Grady’s experiences with Amberly seem weird, if not downright ominous: As a visitor, he’s not allowed to bring his car onto the island; the local businesses are only open for a few hours at a time; and there are no birds. At all. Not to mention the skeletal hand he finds buried under the floorboards of the cabin, the creepy harmonica music in the woods, and the occasional sighting of a woman in a red coat who’s a dead ringer for Abby. As Grady falls deeper and deeper into insomnia and alcoholism, he begins to realize his being on the island is no accident—and that should make him very afraid. Through occasional chapters from before Abby’s disappearance, told from her point of view, we learn that Grady is not necessarily a reliable narrator, and the book’s slow unfolding of dread, mystery, and then truth is both creative and well-paced. Every chapter heading is an oxymoron, like the title, reminding us of the contradictions at the heart of every story.
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.Pub Date: Jan. 14, 2025
ISBN: 9781250337788
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: Oct. 10, 2024
Kirkus Reviews Issue: Nov. 15, 2024
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