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BOYHOOD

SCENES FROM PROVINCIAL LIFE

A short and unsettling, deftly realized memoir of the celebrated South African writer's childhood in the hinterlands. South African memoirs, whether written by blacks or whites, tend to have a thread of sameness woven through: a sense of time and landscape as forces that irrevocably shape the soul. Coetzee (The Master of Petersburg, 1994, etc.), is no exception. Writing at the remove of the third person, he looks back at his youth in the distant dorp of Worcester, recounting how he was formed by his surroundings. This is not an eventful memoir—it's strength comes, instead, from Coetzee's nuanced, unblinking perceptions. His childhood was not unhappy in the conventional sense; the sadness and tragedies were mainly of the ordinary kind, and in his masterful depiction of them, that's what makes them so shattering. All too clearly, we see his weak, hapless father and his mother who is slowly being pushed to the side of her life—a bad marriage, abandoned career, a son whom she loves absolutely but who is too stubborn and embarrassed to reciprocate. There is the uncalibrated cruelty of children, the heedlessness of adults, Coetzee's pervading sense of difference (magnified by his Afrikaans parents' decision to raise him as English-speaking): "Nothing he experiences in Worcester, at home or at school, leads him to think that childhood is anything but a time of gritting the teeth and enduring." The memoir leaves Coetzee on the cusp of adolescence—at the funeral of an old aunt, where he experiences a small, bittersweet epiphany that seems to herald his becoming a writer. Perhaps Coetzee has removed too much of himself—there is an unsolved distance throughout that keeps this memoir from quite realizing the fullness of its potential. Still, this is a powerful, disillusioned portrait of childhood and how, like South Africa, it encompasses both prelapsarian innocence and unconscionable evil.

Pub Date: Oct. 1, 1997

ISBN: 0-670-87220-2

Page Count: 176

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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