A sympathetic portrayal of adolescent angst with a feel-good—if not entirely convincing—resolution.
Eleven-year-old Angelica hides her embarrassment about her size until a caring adult encourages her to express her thoughts and emotions freely.
Angelica, called Jelly, is the class clown. Known for doing impressions, she laughs off the occasional unkind remark from a classmate, then writes brief poems in her journal detailing the pain she feels. Although she talks about typical adolescent concerns with best friends Kayma and Sanvi, they, like her mother, are unaware of her inner turmoil. After a breakup with her current boyfriend, Jelly’s mom connects with Lennon, a guitar-playing songwriter. It’s Lennon who winds up being Jelly’s (somewhat unlikely) confidant and the one who gives her the confidence to share her innermost thoughts with family and friends. British author Cotterill packs a lot into this import. Jelly’s grandfather is a bully with old-fashioned (racist and misogynistic) values, and her aunt is coping with depression. Although it’s delicately handled, Jelly is well aware of her single mom’s sexual activity, a realistic touch that some may find disquieting. Jelly’s first-person narration is appropriately self-centered but also results in most characters appearing somewhat one-dimensional. Some Briticisms have been altered but others remain, creating a slightly off-kilter tone at times. Jelly, her family, and Lennon are white; Kayma and Sanvi are black and Indian, respectively; other racial and/or ethnic diversity is implied by some names but not explicitly acknowledged.
A sympathetic portrayal of adolescent angst with a feel-good—if not entirely convincing—resolution. (Fiction. 10-13)Pub Date: Jan. 7, 2020
ISBN: 978-1-4998-1006-6
Page Count: 272
Publisher: Little Bee Books
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
BOOK REVIEW
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story.
Leaving Brooklyn behind, Black math-whiz and puzzle lover Bree starts a new life in Florida, where she’ll be tossed into the deep end in more ways than one. Keeping her head above water may be the trickiest puzzle yet.
While her dad is busy working and training in IT, Bree struggles at first to settle into Enith Brigitha Middle School, largely due to the school’s preoccupation with swimming—from the accomplishments of its namesake, a Black Olympian from Curaçao, to its near victory at the state swimming championships. But Bree can’t swim. To illustrate her anxiety around this fact, the graphic novel’s bright colors give way to gray thought bubbles with thick, darkened outlines expressing Bree’s deepest fears and doubts. This poignant visual crowds some panels just as anxious feelings can crowd the thoughts of otherwise star students like Bree. Ultimately, learning to swim turns out to be easy enough with the help of a kind older neighbor—a Black woman with a competitive swimming past of her own as well as a rich and bittersweet understanding of Black Americans’ relationship with swimming—who explains to Bree how racist obstacles of the past can become collective anxiety in the present. To her surprise, Bree, with her newfound water skills, eventually finds herself on the school’s swim team, navigating competition, her anxiety, and new, meaningful relationships.
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story. (Graphic fiction. 10-13)Pub Date: May 17, 2022
ISBN: 978-0-06-305677-0
Page Count: 256
Publisher: HarperAlley
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
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