by Jo Ellen Bogart ; illustrated by Maja Kastelic ‧ RELEASE DATE: Oct. 5, 2021
No one could have a heart of stone reading this one.
A boy and his gargoyle companion show the importance of family in this sweet, wordless picture book.
Opening with an image of a picture-covered wall depicting a White family’s history—elderly relatives, wedding pictures, and cuddly baby pictures of our protagonist holding a large gray egg in his lap—the book then depicts the titular Anthony going to bed with the egg on his bedside table, then waking up to it having hatched. Hiding in the closet is an adorable, apparently shy baby gargoyle with large, floppy ears and a tiny horn. The pair play with toys, mark heights on the wall, read books about Notre Dame de Paris and Victor Hugo, until a letter arrives bearing news that Anthony’s grandmother is in the hospital. The family takes the train to Paris, with the little gargoyle stowed away in Anthony’s backpack, peeking out to take in the sights. After a heartwarming visit with Grand-mère, who is introduced to the unnamed gargoyle, the family goes to Notre Dame, where the gargoyle reunites with its worried parent, a full-sized, single-horned figure peering anxiously down onto the city until its offspring’s presence awakes it from its stony state. The book closes with another close-up of the picture wall, this time with a photo of Anthony and the gargoyle family. Kastelic’s muted watercolor panels, reminiscent of the work of Carson Ellis, paint a full picture of these two loving families and the venerated French capital. (This book was reviewed digitally.)
No one could have a heart of stone reading this one. (Picture book. 4-8)Pub Date: Oct. 5, 2021
ISBN: 978-1-77306-344-7
Page Count: 48
Publisher: Groundwood
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Suzanne Lang ; illustrated by Max Lang ‧ RELEASE DATE: May 15, 2018
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...
It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?
When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)Pub Date: May 15, 2018
ISBN: 978-0-553-53786-4
Page Count: 32
Publisher: Random House
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
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