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THE WHITE CAT AND THE MONK

A RETELLING OF THE POEM "PANGUR BÁN"

Reminiscent of the succinct storytelling and expressive brushwork of Chris Raschka and Kevin Henkes, this quiet, historical...

In the ninth century C.E., an anonymous, Irish Benedictine monk penned a poem drawing parallels between the pursuits of his cat and his own work; Bogart’s retelling and Smith’s paintings create an accessible window into this world.

The tale begins wordlessly with watercolor-and-ink compositions framed in sequential panels of varying size. Readers follow the titular feline from a forest into the monastery, where he pads under vaulted ceilings to a row of closed doors. From within one, light leaks out, and a robed man with a long, white beard welcomes his friend: “I, monk and scholar, / share my room // with my white cat, Pangur. / By candle’s light, late into the night / we work, each at a special trade.” The voice is lyrical yet easily understood. As the animal stalks a mouse, the monk studies a manuscript. The illuminated pages he pores over present cryptic, Celtic-inspired designs featuring the picture book’s characters. The palette shifts from shadowy panels with spots of golden light to colorful full bleeds depicting the open volume. Contentment and joy are reflected in text and image as the duo move toward the window; joined by a butterfly, they behold the “light in the darkness.”

Reminiscent of the succinct storytelling and expressive brushwork of Chris Raschka and Kevin Henkes, this quiet, historical gem will charm children and adults alike. (author’s note) (Picture book. 4-7)

Pub Date: March 1, 2016

ISBN: 978-1-55498-780-1

Page Count: 32

Publisher: Groundwood

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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LITTLE BLUE TRUCK AND RACER RED

From the Little Blue Truck series

A friendship tale with solid messaging and plenty of fun sounds to share.

In this latest in the series, Little Blue Truck, driven by pal Toad, is challenged to a countryside race by Racer Red, a sleek, low-slung vehicle.

Blue agrees, and the race is on. Although the two start off “hood to hood / and wheel to wheel,” they switch positions often as they speed their way over dusty country roads. Blue’s farm friends follow along to share in the excitement and shout out encouragement; adult readers will have fun voicing the various animal sounds. Short rhyming verses on each page and several strategic page turns add drama to the narrative, but soft, mottled effects in the otherwise colorful illustrations keep the competition from becoming too intense. Racer Red crosses the finish line first, but Blue is a gracious loser, happy to have worked hard. That’s a new concept for Racer Red, who’s laser-focused on victory but takes Blue’s words (“win or lose, it’s fun to try!”) to heart—a revelation that may lead to worthwhile storytime discussions. When Blue’s farm animal friends hop into the truck for the ride home, Racer Red tags along and learns a second lesson, one about speed. “Fast is fun, / and slow is too, / as long as you’re / with friends.”

A friendship tale with solid messaging and plenty of fun sounds to share. (Picture book. 4-7)

Pub Date: March 25, 2025

ISBN: 9780063387843

Page Count: 32

Publisher: Clarion/HarperCollins

Review Posted Online: Jan. 18, 2025

Kirkus Reviews Issue: Feb. 15, 2025

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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