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DASHIELL HAMMETT

A DAUGHTER REMEMBERS

A valuable addition to the biography of an underrated literary figure.

Biographies of famous writers by their offspring usually have modest literary value, but this memoir is a cut above the rest.

Hammett’s best-known novels, The Maltese Falcon and The Thin Man, pioneered hardboiled detective fiction, and many critics consider him a literary master. His life was chaotic. Discharged after WWI because of tuberculosis, he married his pregnant nurse and struggled to earn a living in a series of jobs from Pinkerton detective to advertising copywriter. Within a few years, however, he began to write fiction, quickly developing his distinctively spare style. His first novel, Red Harvest (1929), enjoyed great success. A year later, The Maltese Falcon was a smash hit. In 1931, he met playwright Lillian Hellman, his companion for the rest of his life. By now he was living apart from his family, ostensibly because of TB. But he continued to support them when he could, visited often, and remained a generous, affectionate father. The ’30s were Hammett’s golden years. Money poured in from royalties and film sales. Never one to plan ahead, he spent it even faster. When he enlisted during WWII, the Army, suspicious of his leftwing politics, assigned him to the American equivalent of Siberia: the Aleutian islands. He enjoyed his stint immensely, however, editing the base newspaper and writing the official history of the Aleutian campaign. After the war, his life went downhill. He emerged from six months in prison for defying the HUAC to the blacklist. The IRS claimed most of his income. His health declined, and when he died in 1961, he hadn’t completed a novel in over two decades. Though the author undertakes no extended analysis of her father’s works, she candidly relates his drinking, gambling, womanizing (Hellman comes out surprisingly well), and attraction to Communism. As a bonus, her account is packed with family photographs, clippings, and mementos.

A valuable addition to the biography of an underrated literary figure.

Pub Date: Nov. 1, 2001

ISBN: 0-7867-0892-1

Page Count: 192

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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