A fascinating study of misperceptions, consequences and the teen condition.
Over the span of one day, Knowles’ novel offers glimpses into the intertwined lives of nine teens and one high school teacher.
These days, “to read between the lines” means two very different things: One, with a gesture, is the ultimate insult, and the other is to garner more insight than is readily apparent. Here, both definitions fit. Each character either receives or “gives the finger," and each chapter provides a “between the lines” peek into the characters’ lives, always revealing a disconnect between the realities of their lives and the ways in which they are perceived by others. First up is Nate Granger, a much-harassed high school freshman whose middle finger is broken by a bully during gym class. Nate is tormented by the fact that his mother died in a hit-and-run crash while on her way to pick him up at school and struggles to deal with his abusive and resentful father. While Nate is in the nurse's office, Claire—another student, and the next character to come into focus—comes in, feigning cramps, and is dismissed from school. Feeling her life and relationships superficial, Claire takes a bus into the city in search of a meaningful experience. The book proceeds, each new character entering, with his/her realities, dreams and secrets becoming another masterfully woven thread. With emotional explorations and dialogue so authentic, one might think Knowles isn't creating but channeling the adolescent mind.
A fascinating study of misperceptions, consequences and the teen condition. (Fiction. 14-18)Pub Date: March 10, 2015
ISBN: 978-0-7636-6387-2
Page Count: 336
Publisher: Candlewick
Review Posted Online: Dec. 9, 2014
Kirkus Reviews Issue: Jan. 1, 2015
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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