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DOUG'S DUNG

From the Once Upon a Garden series

Encouraging and judgement-free.

A budding artist searches for his strength.

Doug the brown dung beetle appreciates nature. The other dung beetles say he needs to be “strong” and have “power.” They take turns lifting a brown dumbbell. When Doug tries, he can’t lift it, and the others tease him. Belinda the butterfly encourages Doug, reassuring him that he’s “strong in another way.” Petals floating on the breeze give Doug an idea. He covers a large ball of dung in an intricate petal mosaic. For another work of dung art, he uses a heap of bright yellow pollen. He continues to make unique art out of the brown spheres, building a little gallery to display his work. At first, he’s still met with jeers, but he stays “determined” to do this thing that makes him happy. Eventually, the whole garden comes to appreciate his art, and the other dung beetles even make a sculpture to celebrate Doug and ask for lessons on creativity. The text avoids any crass poop jokes, not even defining “dung.” Key message words (“determination,” “resilience,” etc.) appear repeatedly in boldface within the modest text, making the moral clear. The minimalist art gets its job done effectively. Predominant visual symmetry from page to page (the characters always face forward) makes for easy sight recognition for young readers. The large-eyed insects composed of simple shapes appear friendly while the earth-toned dung beetles cheerfully complement the brights of the garden—and thus Doug’s art as well.

Encouraging and judgement-free. (Picture book. 3-6)

Pub Date: March 21, 2020

ISBN: 978-1-4338-3237-6

Page Count: 32

Publisher: Magination/American Psychological Association

Review Posted Online: Dec. 21, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE PIGEON HAS TO GO TO SCHOOL!

From the Pigeon series

Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.

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All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.

Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.

Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)

Pub Date: July 2, 2019

ISBN: 978-1-368-04645-9

Page Count: 40

Publisher: Hyperion

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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