Despite the strong technology plot, the poor execution in the friendship storylines undermines the moral of the story.
The coding club girls prepare a technological treat for the school dance while fashionista Maya deals with friendship and bad influences.
Over the summer, Chinese-American Maya got in big trouble hanging out with the neighbors’ visiting niece, shoplifter Nicole: Maya attempted to steal a bottle of nail polish and crashed into the display, getting busted and losing her mother’s trust. When Nicole permanently moves to the neighborhood and starts in at Maya’s school, she’s quick to apologize, repent, and seek to renew friendship with Maya. In spite of her mother’s misgivings, Maya gives Nicole another chance. But certain signs (some legitimate, some overblown) point to Nicole as trouble, and Maya’s limited time is at a premium. Nicole competes for it against the coding club and its newest project. Their task is to use code to creatively, artistically enhance the upcoming school dance, and they choose to program lights to respond to music. The troubleshooting and trial-and-error elements of the code storyline effectively demonstrate how and what can be done with code, and they are far more believable than the forced, frequently unsatisfying social storylines. The latter include some dance drama involving Latina Sophia, African-American Lucy, and white Erin that is easily resolved—Pakistani-American Leila is spared it altogether. Given Maya’s careful delineation of club members’ races, her failure to identify Nicole jars.
Despite the strong technology plot, the poor execution in the friendship storylines undermines the moral of the story. (Fiction. 8-12)Pub Date: March 13, 2018
ISBN: 978-0-399-54253-4
Page Count: 144
Publisher: Penguin
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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