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THE DIARY OF VASLAV NIJINSKY

UNEXPURGATED EDITION

At last, the deletions made by the great dancer’s wife regarding his relationship with Serge Diaghilev have been restored to this tragic diary. Nijinsky’s is not the usual artist’s diary. It gives no insight into his thinking while he was choreographing his radical ballets, The Rite of Spring and Afternoon of a Faun. That is because during the six weeks when he kept this diary, in early 1919, the dancer who had captivated the world during his years with the Ballets Russes was tipping over into madness (in her excellent introduction, dance critic Acocella concurs with the diagnosis of “confused schizophrenia with mild manic excitement” made by the famed psychiatrist Eugen Bleuler). The tragedy of the diary is in Nijinsky’s evident anxiety that his wife was about to commit him to an insane asylum and his frantic desire to prove himself sane. But in fact, much of the diary is given over to ramblings growing out of his Tolstoyan pacifism and his belief that he was God or at least in direct communication with God. Yet scattered throughout these ravings are sharp comments about his wife, Romola, and various people he has known, much of it colored by his abiding bitterness over his firing from the Ballets Russes by its impresario and Nijinsky’s former lover, Serge Diaghilev (according to Acocella, this was one of a string of misfortunes that culminated in Nijinsky’s madness). There is this, for instance, about Igor Stravinsky, who composed The Rite of Spring: “Igor thinks that I am hostile to his aims. He seeks riches and fame.” But most of his bile is reserved for Diaghilev, claiming that he submitted to Diaghilev’s sexual demands only because the impresario held total power of Nijinsky’s career. The diary also interestingly reinforces Nijinsky’s image of sexual ambiguity, for he claims that throughout his relationship with Diaghilev, he sought out female prostitutes for his own satisfaction. For anyone who has been seduced by Nijinsky’s legend, a sad but indispensable document.

Pub Date: Jan. 1, 1999

ISBN: 0-374-13921-0

Page Count: 304

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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