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ELIZA'S DAUGHTER

A SEQUEL TO JANE AUSTEN'S SENSE AND SENSIBILITY

Prolific, innovative storyteller Aiken (Jane Fairfax, 1991, etc.) again pays tribute to Jane Austen in a cheerful spinoff of Sense and Sensibility. Here Aiken pulls onstage the child Eliza, a by-blow borne by another Eliza who was, in turn, the illegitimate offspring of a cousin and old love of Colonel Brandon. It was the stalwart colonel, remember, who eventually won the hand of Marianne Dashwood, one of the two sisters around whom the Austen novel revolves. As Austen reported, in his brief confession to sensible Elinor Dashwood, the colonel mentions his deceased cousin Eliza's girl and her situation: "I removed her and her child to the country and there she remains." Indeed she doesn't, in Aiken's tale, although her daughter stays in the country at an unhealthy baby farm haphazardly run by the boozing Mrs. Wellcome. Eliza III's childhood includes education of sorts from a shady clergyman, joy in trotting after Mr. Bill (Wordsworth) and Mr. Sam (Coleridge), and the pleasure of outwitting Mrs. Wellcome to rescue a tot from Gypsies. At 13, Eliza sets out to find her parents. Her search leads her to the Ferrars (Edward, now cranky and a prig; Elinor, nee Dashwood, now "haggard and anxious"), to school in Bath, and to lodging with a rough-hearted widow who is also at times a buccaneer shoplifter. Eliza escapes rape, rescues Elinor from death, finds haven with an impotent duke, and discovers her parents in Portugal, where she kills a man and makes new acquaintances. What happened to Colonel Brandon, Marianne, and the faithless Willoughby, Marianne's first love? Never fear: Aiken draws all the threads together in an imaginative resolution that feels true to the spirit of Austen's novel. An engaging, calamity-filled romance rich with Aiken's shrewd reading of Austen's people and an appreciative sense of fun.

Pub Date: June 20, 1994

ISBN: 1402212887

Page Count: 352

Publisher: St. Martin's

Review Posted Online: April 12, 2012

Kirkus Reviews Issue: May 15, 1994

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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