by Joan Aiken ‧ RELEASE DATE: Jan. 21, 1974
This rich, spoofy, pseudo-sinister farce is what Joan Aiken must have been practicing for with Winterthing. What happens is a sort of Tempest-in-a-lighthouse, the keeper being an insistently repentant former ship-wrecker who also keeps a monster named Caliban (victim of the Miranda wreck) trapped in a bottle in the cave below. (The cave is reached either through a whirlpool or by an elevator you summon with music instead of a button.) Also residing in the lighthouse are the keeper's blind, passive wife and the forgiving ghost of the smuggler brother-in-law he unwittingly lured to his death on the rocks nineteen years before. But Caliban, it seems, possesses a locked Book of Power that is sought by crime king Lord Boss whose henchmen Fever, Gritty and Sunup have located the creature by radio and arrive on the spot just when the daughter, Sympathy, returns home from ballet school. Until the climactic crash when a few more characters are casually turned into ghosts, they all connect and interact with choreographed precision through an increasingly tangled web of desperation and ludicrous deceit — and all to the tune of such burlesquing songs as "Who is Caliban, who is he," "O Caliban where are you roaming," "Tell me where is patience mustered" and "Full fathoms five thy brother lies, His buttons turned to haddocks' eyes. . . ." This might well be such stuff as grand performances are made on.
Pub Date: Jan. 21, 1974
ISBN: 0670487953
Page Count: 95
Publisher: Viking
Review Posted Online: April 12, 2012
Kirkus Reviews Issue: Jan. 1, 1974
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by Barney Saltzberg ; illustrated by Barney Saltzberg ‧ RELEASE DATE: Sept. 23, 2010
A festive invitation to creative liberation.
A pleasingly tactile exploration of the possibilities inherent in mistakes.
"A torn piece of paper... / is just the beginning!" Spills, folded paper, drips of paint, smudges and smears—they "all can make magic appear." An increasingly complex series of scenarios celebrates random accidents, encouraging artistic experimentation rather than discouragement. The folded-over paper can be a penguin's head; a torn piece of newsprint can turn into a smiling dog with a little application of paint; a hot-chocolate stain can become a bog for a frog. Thanks to a telescoping pop-up, a hole is filled with nearly limitless possibilities. The interactive elements work beautifully with the photo-collaged "mistakes," never overwhelming the intent with showiness. Saltzberg's trademark cartoon animals provide a sweetly childlike counterpoint to the artful scribbles and smears of gloppy paint.
A festive invitation to creative liberation. (Pop-up. 4-12)Pub Date: Sept. 23, 2010
ISBN: 978-0-7611-5728-1
Page Count: 28
Publisher: Workman
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Dec. 1, 2010
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by Kate Messner ; illustrated by Mark Siegel ‧ RELEASE DATE: July 7, 2020
A lovely encouragement to young writers to persist.
This follow-up to How To Read a Story (2005) shows a child going through the steps of creating a story, from choosing an idea through sharing with friends.
A young black child lies in a grassy field writing in a journal, working on “Step 1 / Search for an Idea— / a shiny one.” During a walk to the library, various ideas float in colorful thought bubbles, with exclamation points: “playing soccer! / dogs!” Inside the library, less-distinct ideas, expressed as shapes and pictures, with question marks, float about as the writer collects ideas to choose from. The young writer must then choose a setting, a main character, and a problem for that protagonist. Plotting, writing with detail, and revising are described in child-friendly terms and shown visually, in the form of lists and notes on faux pieces of paper. Finally, the writer sits in the same field, in a new season, sharing the story with friends. The illustrations feature the child’s writing and drawing as well as images of imagined events from the book in progress bursting off the page. The child’s main character is an adventurous mermaid who looks just like the child, complete with afro-puff pigtails, representing an affirming message about writing oneself into the world. The child’s family, depicted as black, moves in the background of the setting, which is also populated by a multiracial cast.
A lovely encouragement to young writers to persist. (Informational picture book. 6-10)Pub Date: July 7, 2020
ISBN: 978-1-4521-5666-8
Page Count: 36
Publisher: Chronicle Books
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
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