by Joan Aiken & illustrated by Bee Willey ‧ RELEASE DATE: Feb. 1, 2005
An odd little posthumous tale from Aiken (see above). A brother and sister, Handle and Window, live in a house in a hollow, surrounded by trees. When the leaves fall in autumn, they bury the house up to its bedroom windows. But Handle sweeps them up and makes a big bonfire. Window cannot help him, as she is lame, but she tells stories to him and to the townsfolk who come to listen, “and often they were cured of their sickness or their sadness or their worry.” But Handle is a sailor, and must go to sea, leaving a little carved wooden dragon for his sister. Window obsesses over the leaves that will fall the next autumn—what if Handle isn’t home by then? And sure enough, the house is buried under leaves the next year. The terrified Window dreams that the forgotten wooden dragon will save her. She awakens, dusts him off, and discovers he loves to eat—leaves! The colors are luminous and the figures ethereal in Willey’s double-paged full-bleed images, although the dragon doesn’t seem quite like the text description. The whole has the feeling of references so intimate that they don’t entirely cohere for an outside audience, but children may be seduced by the radiant color and quirky characterizations. (Picture book. 6-9)
Pub Date: Feb. 1, 2005
ISBN: 0-224-06480-0
Page Count: 36
Publisher: Jonathan Cape/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
Share your opinion of this book
More by Joan Aiken
BOOK REVIEW
by Joan Aiken
BOOK REVIEW
by Joan Aiken
BOOK REVIEW
by Joan Aiken
by John Hare ; illustrated by John Hare ‧ RELEASE DATE: May 14, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
Share your opinion of this book
by Chris Van Allsburg & illustrated by Chris Van Allsburg ‧ RELEASE DATE: Oct. 28, 2002
A trite, knock-off sequel to Jumanji (1981). The “Jumanji” box distracts Walter Budwing away from beating up on his little brother Danny, but it’s Danny who discovers the Zathura board inside—and in no time, Earth is far behind, a meteor has smashed through the roof, and a reptilian Zyborg pirate is crawling through the hole. Each throw of the dice brings an ominous new development, portrayed in grainy, penciled freeze frames featuring sculptured-looking figures in constricted, almost claustrophobic settings. The angles of view are, as always, wonderfully dramatic, but not only is much of the finer detail that contributed to Jumanji’s astonishing realism missing, the spectacular damage being done to the Budwings’ house as the game progresses is, by and large, only glimpsed around the picture edges. Naturally, having had his bacon repeatedly saved by his younger sibling’s quick thinking, once Walter falls through a black hole to a time preceding the game’s start, his attitude toward Danny undergoes a sudden, radical transformation. Van Allsburg’s imagination usually soars right along with his accomplished art—but here, both are just running in place. (Picture book. 6-8)
Pub Date: Oct. 28, 2002
ISBN: 0-618-25396-3
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
Share your opinion of this book
More by Chris Van Allsburg
BOOK REVIEW
by Chris Van Allsburg ; illustrated by Chris Van Allsburg
BOOK REVIEW
by Chris Van Allsburg & illustrated by Chris Van Allsburg
BOOK REVIEW
by Chris Van Allsburg & illustrated by Chris Van Allsburg
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.