Another entry in Bauer’s growing collection of books about likable and appealing female teenagers with a strong vocational calling. Ivy Breedlove in Backwater (1999) is a historian, Jenna Boller in Rules of the Road (1998) is a talented salesperson, and Hope Yancey’s gift is for waitressing. As the novel begins, Hope, 16, and her aunt Addie are about to move from Brooklyn to Mulhoney, Wisconsin, where Addie will manage and cook for a diner called the Welcome Stairways. Hope, whose mother abandoned her as an infant and who has never known her father, is pretty well-adjusted, all things considered. She throws herself into her new life in the small town, working on the grassroots mayoral campaign of the diner’s owner, quickly acquiring a boyfriend and friends, and proving herself to be a stellar waitress (she’s been working in restaurants most of her life, after all, and one of the few things her mother has given her is a list of waitressing tips). Despite having moved so often and having had such inadequate biological parents, Hope isn’t afraid to connect to people. The relationship between Hope and G.T., the man who owns the diner and who eventually marries her aunt is especially touching and sweetly portrayed. He’s everything Hope ever wished for in a father. It could be said that the occupation of waitressing is over-idealized; it’s portrayed as the noblest of professions. But the lessons she’s learned from the job are essential to Hope’s character and a part of why the plot develops as it does. More important, and as always from Bauer, this novel is full of humor, starring a strong and idealistic protagonist, packed with funny lines, and peopled with interesting and quirky characters. (Fiction. 11-16)
Pub Date: Sept. 1, 2000
ISBN: 0-399-23142-0
Page Count: 192
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play.
Garber returns to the world of bestseller Caraval (2017), this time with the focus on younger, more daring sister Donatella.
Valenda, capital of the empire, is host to the second of Legend’s magical games in a single year, and while Scarlett doesn’t want to play again, blonde Tella is eager for a chance to prove herself. She is haunted by the memory of her death in the last game and by the cursed Deck of Destiny she used as a child which foretold her loveless future. Garber has changed many of the rules of her expanding world, which now appears to be infused with magic and evil Fates. Despite a weak plot and ultraviolet prose (“He tasted like exquisite nightmares and stolen dreams, like the wings of fallen angels, and bottles of fresh moonlight.”), this is a tour de force of imagination. Themes of love, betrayal, and the price of magic (and desire) swirl like Caraval’s enchantments, and Dante’s sensuous kisses will thrill readers as much as they do Tella. The convoluted machinations of the Prince of Hearts (one of the Fates), Legend, and even the empress serve as the impetus for Tella’s story and set up future volumes which promise to go bigger. With descriptions focusing primarily on clothing, characters’ ethnicities are often indeterminate.
Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play. (glossary) (Fantasy. 12-16)Pub Date: May 29, 2018
ISBN: 978-1-250-09531-2
Page Count: 464
Publisher: Flatiron Books
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
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