by Joan Dash & illustrated by Dušan Petričić ‧ RELEASE DATE: Jan. 17, 2006
Dash ably covers Franklin’s life from first days to last, but what sets this apart from the plethora of similar portraits is her particular focus on his lifelong interest in science and invention. Ever the amateur, he gathered a group of like-minded “Franklinists” to perform electrical experiments and pranks, like electrifying the iron fence around his house, “for the amusement of visitors,” writes Dash. He took measurements of the Gulf Stream, closely observed natural phenomena on land and sea, fiddled with magic squares and corresponded regularly with many fellow enquirers on both sides of the Atlantic—along with inventing (though deliberately never patenting) a stove, the lightning rod, bifocals, the “glass armonica” and much else. Characterizing Franklin as a “speckled” man, who “changed, took up new roles, found new motives within himself” over his long career, Dash also recounts his later diplomatic triumphs in full, without glossing over his youthful misadventures or occasional lack of candor. Readers will come away with a profound understanding of this great man’s mind, heart, achievements and—with some help from Petricic’s witty line drawings—sense of fun. (annotated bibliography, end notes) (Biography. 12+)
Pub Date: Jan. 17, 2006
ISBN: 0-374-30669-9
Page Count: 256
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
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by P. James Oliver ‧ RELEASE DATE: March 26, 2013
A thoughtful, engaging history for intermediate students interested in Africa.
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Oliver’s debut, about one of West Africa’s most powerful and charismatic leaders, delivers a vibrant mix of history and historical fiction for young adults.
The book introduces the medieval empire of Mali with several short narrative essays on trans-Atlantic exploration, trade and mining and soon narrows its focus to the compelling life story of the emperor Mansa Musa, who ruled Mali in the early 1300s. Oliver shows how Musa gained influence while making a lavish, politically important trip to Mecca, and his deft explanation of how Musa crossed the vast Sahara Desert briefly but skillfully conveys the difficulty of the lengthy voyage. This enjoyable work smoothly blends historical text with memorable anecdotes from primary and secondary sources, photos and sketches of replicas of ancient and medieval African art, and well-drawn maps. The book moves at a fast pace, and the author’s clear, straightforward style is likely to appeal to young adults. He easily switches between topics, discussing history (how Musa gained recognition in Egypt and North Africa), religion (how Islam shaped Musa and his empire), architecture (the methods of construction for Malian mud-brick buildings) and fables (the legend of the Malian “gold plant”). However, Oliver always strives for historical accuracy; even his fictional account of a young sandal maker who travels to Niani’s great market contains period-appropriate language and scenery. The book also includes a lengthy glossary that is amply illustrated with drawings and photographs of West African boats and buildings. The work’s one shortcoming is its abrupt ending after Musa returns home; it lacks a thorough explanation as to how and why the empire of Mali eventually dissolved.
A thoughtful, engaging history for intermediate students interested in Africa.Pub Date: March 26, 2013
ISBN: 978-1468053548
Page Count: 128
Publisher: CreateSpace
Review Posted Online: July 31, 2013
Review Program: Kirkus Indie
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by Anne Miranda & illustrated by Anne Miranda ‧ RELEASE DATE: Aug. 1, 1999
Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)
Pub Date: Aug. 1, 1999
ISBN: 0-15-201835-2
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
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by Anne Miranda ; illustrated by Eric Comstock
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