by Joan Holub ; illustrated by Leslie Patricelli ‧ RELEASE DATE: Sept. 16, 2014
Parents expecting to introduce tots to classic myths will be disappointed, but the life lessons the source material inspires...
Pandora, a curious, modern-day tyke, is forbidden by her mother to open a certain box in this tale loosely based on the Greek myth.
She touches, leans, stands and bounces on the box, which, in kid logic, is not actually opening it. After one bounce too many, the box opens, and cupcakes explode all over the floor (luckily not plagues and other evils, but smashed cupcakes are equally upsetting). Pandora and her mother find one intact cupcake left in the box as the girl asks, “Do you still love me? I hope so.” Her mother answers in the affirmative, and they hug. While light on mythology, Pandora’s encounter with the box is remarkably entertaining, and youngsters will relate to the glee she takes in bending the rules. Patricelli captures Pandora’s chutzpah in delightful painted cartoons in rich colors, while Holub contributes only one or two lines of text per page. The companion title, Play, Nice Hercules, is an even looser interpretation of the 12 labors of Hercules, but little ones will identify with his impossible task of playing nice with his sister. A paragraph-long note appears on the back page of both titles relating the Pandora and Hercules myths in simple language, but this will likely go over the heads of most toddlers.
Parents expecting to introduce tots to classic myths will be disappointed, but the life lessons the source material inspires are spot-on. (Board book. 2-4)Pub Date: Sept. 16, 2014
ISBN: 978-1-4197-0951-7
Page Count: 24
Publisher: Abrams Appleseed
Review Posted Online: Aug. 19, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Joan Holub ; illustrated by Leslie Patricelli
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by Caroline Jayne Church ; illustrated by Caroline Jayne Church ‧ RELEASE DATE: Jan. 27, 2015
A good choice for caregivers looking for a positive, uncomplicated introduction to a new baby that focuses on everything an...
A little boy exults in his new role as big brother.
Rhyming text describes the arrival of a new baby and all of the big brother’s rewarding new duties. He gets to help with feedings, diaper changes, playtime, bathtime, and naptime. Though the rhyming couplets can sometimes feel a bit forced and awkward, the sentiment is sweet, as the focus here never veers from the excitement and love a little boy feels for his tiny new sibling. The charming, uncluttered illustrations convincingly depict the growing bond between this fair-skinned, rosy-cheeked, smiling pair of boys. In the final pages, the parents, heretofore kept mostly out of view, are pictured holding the children. The accompanying text reads: “Mommy, Daddy, baby, me. / We love each other—a family!” In companion volume I Am a Big Sister, the little boy is replaced with a little girl with bows in her hair. Some of the colors and patterns in the illustrations are slightly altered, but it is essentially the same title.
A good choice for caregivers looking for a positive, uncomplicated introduction to a new baby that focuses on everything an older sibling can do to help. (Board book. 2-4)Pub Date: Jan. 27, 2015
ISBN: 978-0-545-68886-4
Page Count: 24
Publisher: Cartwheel/Scholastic
Review Posted Online: March 16, 2015
Kirkus Reviews Issue: July 1, 2015
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by David LaRochelle ; illustrated by Jaime Kim ‧ RELEASE DATE: Dec. 11, 2018
Treacle drips from every page. Find self-esteem elsewhere.
The voice of an omniscient narrator, who may or may not be a caregiver, speaks directly to an unhappy child with an invitation to a very special place.
The child follows directions to the beautiful title isle “just across the bay.” Ferried across by a toy elephant in a sailboat, the child is given an enthusiastic welcome by more adorable animals and some other children. The little one swims in a waterfall, rides a giant eagle, relaxes in a hammock, and happily engages with some of the other children. Several of the activities are stereotypically girl-associated, and the other children appear to be girls with varying skin tones and hair textures; the little protagonist has light skin and a brown pageboy and is only suggested as female. After elaborate entertainments and a sweet feast, the child is assured that “someone loves you very, very, very much” before being borne safely home. Deep purple, bright pastel pink, and yellow watercolors dominate the color palette, creating a magical, otherworldly atmosphere. But it is also somewhat creepy as well. The Isle of You exists only for the protagonist’s happiness, even the other children there, who appear to have no existence in the real world. Apparently intended to build self-esteem and comfort, it seems to encourage self-centeredness instead, as does the ending play on the pronunciation of the title words.
Treacle drips from every page. Find self-esteem elsewhere. (Picture book. 2-4)Pub Date: Dec. 11, 2018
ISBN: 978-0-7636-9116-5
Page Count: 32
Publisher: Candlewick
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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