Parents expecting to introduce tots to classic myths will be disappointed, but the life lessons the source material inspires...
Pandora, a curious, modern-day tyke, is forbidden by her mother to open a certain box in this tale loosely based on the Greek myth.
She touches, leans, stands and bounces on the box, which, in kid logic, is not actually opening it. After one bounce too many, the box opens, and cupcakes explode all over the floor (luckily not plagues and other evils, but smashed cupcakes are equally upsetting). Pandora and her mother find one intact cupcake left in the box as the girl asks, “Do you still love me? I hope so.” Her mother answers in the affirmative, and they hug. While light on mythology, Pandora’s encounter with the box is remarkably entertaining, and youngsters will relate to the glee she takes in bending the rules. Patricelli captures Pandora’s chutzpah in delightful painted cartoons in rich colors, while Holub contributes only one or two lines of text per page. The companion title, Play, Nice Hercules, is an even looser interpretation of the 12 labors of Hercules, but little ones will identify with his impossible task of playing nice with his sister. A paragraph-long note appears on the back page of both titles relating the Pandora and Hercules myths in simple language, but this will likely go over the heads of most toddlers.
Parents expecting to introduce tots to classic myths will be disappointed, but the life lessons the source material inspires are spot-on. (Board book. 2-4)Pub Date: Sept. 16, 2014
ISBN: 978-1-4197-0951-7
Page Count: 24
Publisher: Abrams Appleseed
Review Posted Online: Aug. 19, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original...
A sweetened, condensed version of the best-selling picture book, The Kissing Hand.
As in the original, Chester Raccoon is nervous about attending Owl’s night school (raccoons are nocturnal). His mom kisses him on the paw and reminds him, “With a Kissing Hand… / We’ll never be apart.” The text boils the story down to its key elements, causing this version to feel rushed. Gone is the list of fun things Chester will get to do at school. Fans of the original may be disappointed that this board edition uses a different illustrator. Gibson’s work is equally sentimental, but her renderings are stiff and flat in comparison to the watercolors of Harper and Leak. Very young readers will probably not understand that Owl’s tree, filled with opossums, a squirrel, a chipmunk and others, is supposed to be a school.
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original shouldn’t look to this version as replacement for their page-worn copies. (Board book. 2-4)Pub Date: April 1, 2014
ISBN: 978-1-933718-77-4
Page Count: 14
Publisher: Tanglewood Publishing
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Treacle drips from every page. Find self-esteem elsewhere.
The voice of an omniscient narrator, who may or may not be a caregiver, speaks directly to an unhappy child with an invitation to a very special place.
The child follows directions to the beautiful title isle “just across the bay.” Ferried across by a toy elephant in a sailboat, the child is given an enthusiastic welcome by more adorable animals and some other children. The little one swims in a waterfall, rides a giant eagle, relaxes in a hammock, and happily engages with some of the other children. Several of the activities are stereotypically girl-associated, and the other children appear to be girls with varying skin tones and hair textures; the little protagonist has light skin and a brown pageboy and is only suggested as female. After elaborate entertainments and a sweet feast, the child is assured that “someone loves you very, very, very much” before being borne safely home. Deep purple, bright pastel pink, and yellow watercolors dominate the color palette, creating a magical, otherworldly atmosphere. But it is also somewhat creepy as well. The Isle of You exists only for the protagonist’s happiness, even the other children there, who appear to have no existence in the real world. Apparently intended to build self-esteem and comfort, it seems to encourage self-centeredness instead, as does the ending play on the pronunciation of the title words.
Treacle drips from every page. Find self-esteem elsewhere. (Picture book. 2-4)Pub Date: Dec. 11, 2018
ISBN: 978-0-7636-9116-5
Page Count: 32
Publisher: Candlewick
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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