While the mini-myth concept falls flat, this is a lighthearted look at the conflict between grown-ups and strong-willed tots...
This selection in the Mini Myths series introduces a little girl named Medusa, whose hair—while it may not be made of poisonous snakes—does seem to have a life of its own.
The initial double-page spread pictures a spunky little girl with a giant mass of yellow tendrils sticking out in all directions and a defiant look on her face; she is in a serious standoff with a hairbrush. Dad tells Medusa that she must have her hair brushed before Grandma comes over, but Medusa is too busy. Before you know it, Grandma has arrived, and her eyes bug out hilariously when she spots Medusa’s mane. She drags the little girl off to a hair salon, and Medusa returns home with a perfectly coiffed head of tame little curls—and a lollipop. Now it’s time to talk about brushing her teeth! While the story is a cute one with a familiar toddler scenario and charming illustrations, the tie to the Medusa story is too tenuous to be meaningful, and the description of the myth provided on the final page, though simplified, will still be much too complex for the board-book crowd.
While the mini-myth concept falls flat, this is a lighthearted look at the conflict between grown-ups and strong-willed tots with their own agendas. (Board book. 2-5)Pub Date: March 24, 2015
ISBN: 978-1-4197-0953-1
Page Count: 24
Publisher: Abrams Appleseed
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The combination of lovingly humorous and detailed mixed-media illustrations and infectious rhymes will cause little ones and...
More than skin deep, this rhyming paean to diversity offers readers an array of families of all colors and orientations, living and loving one another in a vibrant city setting.
A giggling baby is tummy-tickled by her white and black mothers (or white mother and black father—impressively, the illustration leaves room for interpretation) in New York’s Central Park in its summertime glory. "This is how we all begin: / small and happy in our skin." This celebration of skin not only extols the beauty and value of various skin colors, but also teaches the importance of skin as an essential body part: “It keeps the outsides out / and your insides in.” Park, public-pool, and block-party scenes allow readers to luxuriate in a teeming city where children of all colors, abilities, and religions enjoy their families and neighbors. The author and illustrator do not simply take a rote, tokenistic approach to answering the cry for diverse books; the words and pictures depict a much-needed, realistic representation of the statement “it takes a village to raise a child” when a child skins her knee and many rush to her aid and comfort. Though her palette of browns is a little limited, Tobia creates sheer joy with her depictions of everything from unibrows, dimples, and birthmarks to callouts to recognizable literary characters.
The combination of lovingly humorous and detailed mixed-media illustrations and infectious rhymes will cause little ones and their families to pore over this book again and again. (Picture book. 2-5)Pub Date: Aug. 25, 2015
ISBN: 978-0-7636-7002-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 11, 2015
Kirkus Reviews Issue: June 1, 2015
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
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