There is something so refreshing and genuine about this book, coming partly from the bumpy weave of its unpredictable story...
Love and profit, fear and orneriness, intention and accident…all present and accounted for in this study of why our lives turn out the way they do.
“Everyone knows this can happen. People travel and they find places they like so much they think they’ve risen to their best selves just by being there.” So begins this kaleidoscopic story cycle, stretching from 1970 to the present, from Rikers Island and Richmond, Virginia, to Sultanahmet, Turkey, and Berlin. With a group of characters woven together by a butterfly-effect chain of decisions, accidents, and consequences, Silber (Fools, 2013, etc.) examines the dynamics of relationships across races and cultures, the ramifications of smuggling both American cigarettes and European antiquities, the need to find and honor family, and the intentions to sell a Turkish rug, to start one’s own eyebrow-grooming business, to somehow make right things that have gone very wrong. Practically every page contains some insight you want to linger over. For example, a truck driver who has just been in a very bad wreck considers his past brushes with death: “Once when he took a beautiful drunken walk across a frozen pond and midway the ice cracked and broke. Once when he was in a car with a woman who drove them off the road into a gully. Once when he was in a fight with a guy who was crazier than he seemed. He’d had a good time when he was young, but in certain respects youth was overrated.” Or, a young single mother considering her boyfriend’s release from Rikers: “Jail doesn’t always change people in good ways, but in Boyd’s case it made him quieter and less apt to throw his weight around.”
There is something so refreshing and genuine about this book, coming partly from the bumpy weave of its unpredictable story and partly from its sharply turned yet refreshingly unmannered prose. A winner.Pub Date: Nov. 14, 2017
ISBN: 978-1-61902-960-6
Page Count: 256
Publisher: Counterpoint
Review Posted Online: Aug. 19, 2017
Kirkus Reviews Issue: Sept. 1, 2017
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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