The first book in a new romance series fails to coalesce.
In Gilded Age New York, a tennis champion is torn between a duke and her childhood best friend.
Maddie Webster and Harrison Archer grew up promenading on Fifth Avenue and playing in Newport. Although they are both from the same rarefied New York society circles, their home lives couldn’t be more different: Maddie’s family is loving and caring, fully supporting her dreams of becoming a women’s tennis champion; meanwhile, Harrison’s family is cold and cruel, always treating him as a worthless second son. Three years earlier, Harrison intended to offer for Maddie but was crushed to realize she thought of him like a brother. Hurt and disappointed in Maddie and furious that his family disowned him when he tried to stop his father's abuse of the housemaid, Harrison fled to Paris. Now his family has called him home. After his father’s death, his older brother’s gross mismanagement of Archer Industries has left the company in shambles. Harrison’s family wants him to marry an heiress to infuse cash into the business, not knowing he’s planning to wrest full control of the company by becoming the majority stockholder. Maddie’s betrothal to the Duke of Lockwood is all but assured, so she offers to host a house party to introduce Harrison to her friends. Harrison accepts her offer, intending to steal Maddie away from the Duke while he purchases the remaining stock he needs. The individual strands of Shupe’s busy plot aren’t effectively braided together. Harrison’s revenge plot against his family is introduced but then put on hold while he courts Maddie. The late-stage conflict between the lovers seems to be manufactured to elongate the plot rather than an organic outgrowth of their characters.
The first book in a new romance series fails to coalesce.Pub Date: March 9, 2021
ISBN: 978-0-06-304504-0
Page Count: 400
Publisher: Avon/HarperCollins
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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