THE GILDED HEIRESS

A Gilded Age grifter makes good, eventually.

Josie Smith does what she needs to get by, after having been abandoned as an infant and raised at the Boston Children’s Asylum. She takes care of herself and her best friend and looks for every opportunity to sing, in the hopes that her extraordinary talent might make her famous someday. And indeed, singing on the street does bring attention her way, but it’s from one of Boston’s many con men: Leo Hardy. His father died after having been unfairly accused by the wealthy Pendelton family of having kidnapped their baby, and now he’ll do anything to keep his mother and sisters off the streets. When the desperate Leo hears Josie sing, he’s immediately drawn to her voice, and then, when he realizes she has an uncanny resemblance to the lost Pendelton child, he puts together a swindle that could make them both rich. Leo convinces Josie to let him be her manager, then insists on taking her to New York City to audition for her big break; unbeknownst to her, he’s also plotting to get her near the Pendeltons, in the hopes they’ll believe she’s their daughter and he can collect the reward for finding her. Neither of them counts on what will happen when their purposely platonic relationship starts to heat up in the middle of Central Park, or what else will happen after the Pendeltons finally learn about Josie. Shupe’s newest Gilded Age romance builds on the framework of the movie Anastasia, which is a good match for the extreme inequality of the era. This inspiration explains the fantastical nature of the story; though Shupe includes the historical details that always set her romances apart, and it’s not her first time adapting a fairy tale, it becomes hard to suspend disbelief at certain points. Her writing is as saucy and spicy as ever, however, and combined with some thoughtful consideration of class and wealth in the era, Shupe’s fans will find much to enjoy.

An appealing historical romance with enchanting touches.