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THE OLD WOMAN

Calming, serene, respectful.

An old woman transits through an autumn day, evening, and overnight to dawn, unhurriedly observing nature’s cues.

She and her dog live in a simply furnished old house. Most days, the dog chases squirrels, then dozes indoors on an old rug. On a walk in the hills, they observe a crow, and the woman marvels at what it would be like to fly. The woman throws sticks for the dog to fetch and finds a stout walking stick for herself. They rest at a familiar boulder “with its perfect seat.” Whirling fall leaves trigger a memory of playing outside for hours. Kazemi draws the woman in her younger form, hair now dark against her pale skin, dancing among the leaves. The artist’s lovely illustrations blend chalky graphite-gray with pastel and rusty autumnal accents. The full harvest moon rises, and the woman thinks of words to describe it: “huge, looming, warm, gentle, enormous, dreamy, peaceful, autumnal—magnificent.” Next morning, stiff and achy from the long walk, she goes outside to watch the sun rise. “There was a chill in the air. Soon it would be cold. It always comes like this, thought the old woman, and yet no one day is the same as another.” This beautifully contemplative portrait is notable for its depiction of a capable elder, dwelling not amid illness, regret, or grief, but in the moment, relishing each day’s unique beauty. (This book was reviewed digitally with 11-by-16.2-inch double-page spreads viewed at 91.5% of actual size.)

Calming, serene, respectful. (Picture book. 3-7)

Pub Date: Sept. 29, 2020

ISBN: 978-1-77306-211-2

Page Count: 36

Publisher: Groundwood

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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