A fine if elusive find for aficionados of world literature.
A beguilingly slippery tale by Brazil’s greatest proto-modernist writer.
Bento Santiago is known to his friends as Bentinho. But, at the beginning of Machado de Assis’ 1899 novel, he has earned the sobriquet Dom Casmurro, meaning something like “Sir Stubbornly Self-Absorbed,” for falling asleep when a budding poet assailed him with verse on a train ride. Bentinho, whom we meet as an aging, moderately prosperous attorney, is part of a minor noble rural family that moved to Rio de Janeiro and settled in a well-to-do neighborhood (Machado makes much, subtly, of Rio’s rich-and-poor geography). There, at 15, he falls in love with 14-year-old neighbor Capitu. Tensions face him as his now-widowed mother wheedles him to honor a pledge she’s made to God that her firstborn son will become a priest, while Capitu tries to dissuade him. Bentinho enters the seminary all the same and befriends Escobar, a young man who wants to be a merchant, not a priest. Both break free, and Bentinho and Capitu marry. But why does their son, a gifted mimic, do one impersonation better than all others? As Bentinho says, after all, “There’s even something about the way he walks, about his eyes, that reminds me of Escobar....” Bentinho has always been jealous over the beautiful Capitu—in a meaningful scene, she exchanges woo-pitching glances with a rider passing by her window—but even as Capitu protests that Bentinho is his son’s real father, he embodies the meaning of his nickname. The trick of this short novel is that the reader must decide whom to believe, for much suggests that Bentinho is not a trustworthy narrator, while Capitu is alternately characterized as both sly and faithful. Whatever the case, in this readable translation (the use of a few creaky expressions such as flibbertigibbet notwithstanding), Machado proves himself a gifted portraitist of flawed human characters who harbor psychological depths.
A fine if elusive find for aficionados of world literature.Pub Date: May 23, 2023
ISBN: 9781324090700
Page Count: 288
Publisher: Liveright/Norton
Review Posted Online: Feb. 22, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.
A year in the life of the No. 2 boarding school in America—up from No. 19 last year!
Rumors of Hilderbrand’s retirement were greatly exaggerated, it turns out, since not only has she not gone out to pasture, she’s started over in high school, with her daughter Shelby Cunningham as co-author. As their delicious new book opens, it’s Move-In Day at Tiffin Academy, and Head of School Audre Robinson is warmly welcoming the returning and new students to the New England campus, the latter group including a rare midstream addition to the junior class. Brainiac Charley Hicks is transferring from public school in Maryland to a spot that opened up when one of the school’s most beloved students died by suicide the preceding year. She will be joining a large, diverse cast of adult and teenage characters—queen bees, jealous second-stringers, boozehounds young and old, secret lesbians, people chasing the wrong people chasing other wrong people—all of them royally screwed when an app called Zip Zap appears and starts blasting everyone’s secrets all over campus. How the heck…? Meanwhile, it seems so unlikely that Tiffin has jumped up to the No. 2 spot in the boarding-school rankings that a high-profile magazine launches an investigation, and even the head is worried that there may have been payola involved. The school has a reputation for being more social than academic, and this quality gets an exciting new exclamation point when the resident millionaire bad boy opens a high-style secret speakeasy for select juniors in a forgotten basement. It’s called Priorities. Exactly. One problem: Cinnamon Peters’ mysterious suicide hangs over the book in an odd way, especially since the note she left for her closest male friend is not to be opened for another year—and isn’t. This is surely a setup for a sequel, but it’s a bit frustrating here, and bobs sort of shallowly along amid the general high spirits.
A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.Pub Date: Sept. 16, 2025
ISBN: 9780316567855
Page Count: 432
Publisher: Little, Brown
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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