A curious confection for audiences open to absurdism.
It’s not easy being a ghost dog.
Camp’s naïve-style illustrations provide a suitably off-kilter atmosphere for this humorous tale translated from Spanish. A scruffy-looking gray pooch named Aldo gets tangled up in a sheet hanging out to dry and believes he’s left the world of the living. As a ghost, Aldo contends, no one can see when he steals food (though the disgruntled, racially diverse humans in the park would disagree). He also claims to have learned to fly (actually, he’s hopping), and he’s adopted a new bark (his canine friends don’t appreciate his prolonged “booooo!!!!”). So far, pretty standard for a goofy dog story. But then Aldo laments the one true sadness of his ghostly experience: He’s separated from his loved ones. Some readers may find the subsequent reveal hilarious, while others will see it as mean-spirited: Aldo spurns the tan-skinned human crying at home over his picture and instead focuses on his love for his favorite toy, a smiling red ball. Envisioning a series of romantic cliches (going on a movie date with the red ball, slurping a strand of spaghetti, Lady and the Tramp–style), Aldo grows increasingly dejected until he returns home, where both his human and his beloved toy await. The surrealist humor and obvious dissonance between Aldo’s narration and the illustrations will make this tale a big hit with some readers, though it may leave others cold.
A curious confection for audiences open to absurdism. (Picture book. 4-8)Pub Date: Sept. 3, 2024
ISBN: 9798988749929
Page Count: 36
Publisher: Tapioca Stories
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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BOOK REVIEW
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