Young horror enthusiasts will be delighted at this nod to the master of suspense.
A family’s summer vacation turns from boring to terrifying in an instant when nature attacks.
Fifteen-year-old Daphne and her family are driving along a backwoods road to reach their campsite when out of nowhere, a bird crashes into the windshield. When Daphne’s veterinarian father stops to examine it, another bird launches itself at his head, wounding him. Anxious to resume their trip, the unnerved family comes to a grim realization—their car is stuck in the mud. What’s worse, a thunderstorm looms menacingly on the horizon. More and more birds arrive, injuries mount, and all efforts to escape prove futile as the winged attack relentlessly continues. Aware of the risks (and against her family’s protests), Daphne courageously darts away from the car toward a nearby town for rescue as thunderclaps ring out, but will she succeed? What fate awaits her stranded family if she fails? Who else will be ensnarled in the aggressive aerial assault? A tribute to Alfred Hitchcock’s The Birds, Boisvert’s short, action-packed novel translated from French will grip readers as each frighteningly surreal scene unfolds. Black-and-white stock illustrations interspersed throughout become increasingly sinister, ramping up the suspense. Attentive readers will recognize the double meanings behind some pictures as foreshadowing. Physical descriptions are minimal.
Young horror enthusiasts will be delighted at this nod to the master of suspense. (author’s note) (Horror. 9-13)Pub Date: Feb. 11, 2025
ISBN: 9781459839892
Page Count: 96
Publisher: Orca
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
A pleasing premise for book lovers.
A fantasy-loving bookworm makes a wonderful, terrible bargain.
When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)
A pleasing premise for book lovers. (Fantasy. 9-12)Pub Date: May 2, 2023
ISBN: 9780316448222
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
This really special triumph is bound to be widely discussed by teachers and writers, and widely esteemed by Creech’s devoted...
Versatile Newbery Medalist Creech (A Fine, Fine School, p. 862, etc.) continues to explore new writing paths with her latest, written as free verse from the viewpoint of a middle-school boy named Jack.
Creech knows all about reluctant writers from her own years of teaching, and she skillfully reveals Jack’s animosity toward books and poetry, and especially about writing his own poems. He questions the very nature of poetry, forcing the reader to think about this question, too. Jack’s class assignments incorporate responses to eight well-known poems (included in an appendix) and gradually reveal the circumstances, and Jack’s hidden feelings, about the loss of his beloved dog. Jack’s poetry grows in length, complexity, and quality from September to May, until he proudly sends his best poem about his dog and a heartfelt thank-you poem to Walter Dean Myers after the author’s school visit. The inclusion of the eight poems is an advantage, because comments on the poems are often part of Jack’s poetry. Others not already familiar with these famous poems, though, might miss the allusions in Jack’s work. (There is no note at the beginning of the book to point the reader to the appendix.) But it’s a quick read, offering a chance to go back and look again. Teachers will take this story to heart, recognizing Miss Stretchberry’s skilled and graceful teaching and Jack’s subtle emotional growth both as a person and a writer.
This really special triumph is bound to be widely discussed by teachers and writers, and widely esteemed by Creech’s devoted readers. (Fiction/poetry. 9-13)Pub Date: Aug. 1, 2001
ISBN: 0-06-029287-3
Page Count: 112
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
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