Keenly executed, exemplary spadework dedicated to justice for all women caught in the crosshairs of privileged power.
A behind-the-scenes look at the Harvey Weinstein case as told by the two New York Times journalists who broke the story.
When Kantor (The Obamas, 2012) and Twohey published their 2017 article series implicating Weinstein in a 30-year-long sexual misconduct scandal, it garnered worldwide attention, earned the news outlet the Pulitzer Prize, and briskly vaporized the Hollywood film producer’s career and reputation. In vivid, cinematic fashion, the authors describe the risky investigation from its first probing telephone calls and emails to the challenges of obtaining recorded interviews. Despite episodes of self-doubt, an avalanche of testimonials from victimized women started pouring in. Kantor and Twohey focus on the details of how they doggedly procured sources, chased leads, and obtained enough concrete evidence to blow the case open. As the attestations began to accumulate, so did the trouble, including calculated interference and intimidation from a supposed Weinstein-hired Israeli intelligence organization, which attempted to sabotage the entire endeavor. The authors also examine the nature of wealth and power and how the corruption of privilege infected Weinstein, Miramax, and his expansive web of malefactors, which included employees, publicists, and the corporate machines aligned alongside him who overlooked his reprehensive behavior and supervised his confidential settlements to the women he abused. The authors chronicle the early testimonies from Gwyneth Paltrow and Ashley Judd as well as an initially reluctant Rose McGowan, who accused Weinstein of raping her and labeled his notorious behavior “an open secret in Hollywood/Media.” The journalists’ work helped ignite the burgeoning #MeToo movement and inspired a massive cultural sea change, but they also acknowledge the grueling work ahead, as evidenced in the book’s concluding chapters featuring Christine Blasey Ford, who shares her personal insights on the steamrolled Supreme Court appointment of Brett Kavanaugh. Both admirable and suspenseful, the narrative is a fitting testament to the power of persistence and dedication in exposing critical crimes.
Keenly executed, exemplary spadework dedicated to justice for all women caught in the crosshairs of privileged power.Pub Date: Sept. 10, 2019
ISBN: 978-0-525-56034-0
Page Count: 320
Publisher: Penguin Press
Review Posted Online: Sept. 19, 2019
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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