A well-paced story that highlights several timely issues, with a stimulating courtroom trial that makes it worth reading.
The shocking murder of a teenager thrusts a small town into the headlines and destabilizes the lives of everyone who knew her.
Olivia McAfee, a professional beekeeper and single mother, fled Boston and an abusive husband to try to give her son, Asher, a better life in small-town New Hampshire. Things go well for their first 12 years in Adams. Asher is a well-liked senior and captain of the high school hockey team; he barely remembers his abusive father; he and his mother have a great relationship; and he's preparing to go off to college. Then he meets Lily Campanello, a new girl who, like his mother, has fled a troubled past. Things get very serious quickly; then, one afternoon after they've had a fight, Asher finds Lily dead at the bottom of her basement stairs. Before he even has time to grieve, he's arrested and charged with her murder. What follows is a long and public courtroom trial in which everyone's secrets are exposed and even his own mother begins to question his innocence. Told in two storylines—one Olivia's, in the present, and one Lily's, going backward from the day of her murder—the novel is well plotted but sometimes feels long-winded, including characters who don't have much significance and details that don't seem relevant. It takes a while for the book to get moving, but once the trial begins, it becomes more compelling, and the courtroom scenes are where the writing shines brightest. The characters aren't as well developed as they should be, though, often feeling wooden or monochromatic—some always say the right thing while others always say or do the wrong thing—and the ending is predictable.
A well-paced story that highlights several timely issues, with a stimulating courtroom trial that makes it worth reading.Pub Date: Oct. 4, 2022
ISBN: 978-1-9848-1838-6
Page Count: 464
Publisher: Ballantine
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
BOOK TO SCREEN
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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