As a third-act whodunit—the culprit is an easy guess—the story fails. Picoult, who is so often an inventive and compelling...
Picoult (Vanishing Act, 2005, etc.) fumbles in this 13th novel of, predictably, a family in crisis.
To all outward appearances, the family Stone seems a happy trio: Mother Laura teaches Dante at the local university; her 14-year-old Trixie is popular, dating the town’s high school hockey hero Jason Underhill; and Daniel, a stay-at-home dad, has finally hit it big with the debut of his own comic book, The Tenth Circle. Inspired by his wife’s work, Daniel’s hero Duncan/Wildclaw descends into hell in search of his kidnapped daughter (sections of the comic book, illustrated by Dustin Weaver, appear at the end of each chapter). As his alter ego tours the circles of hell with Virgil, Daniel’s family begins to unravel: On the night that Trixie is raped by her boyfriend, Daniel discovers Laura has been having an affair with a student. Picoult usually infuses a bit of suspense into her dramas, and this effort is no different as Trixie’s testimony comes into question—is Trixie just out for revenge on the boyfriend who dumped her? As the DA and detective try to build a rape case, Trixie becomes ostracized at school, continues to self-mutilate and then finally attempts suicide. She’s saved in time, but soon after her recovery, Jason is found dead, and it’s beginning to look like Trixie killed him. Afraid she’ll be charged with Jason’s murder, Trixie runs away to the Alaskan Eskimo village where Daniel was raised (and tormented as the only white boy), forcing Daniel to confront his past, save his daughter, save his marriage and make everything okay in the universe, as every superhero should.
As a third-act whodunit—the culprit is an easy guess—the story fails. Picoult, who is so often an inventive and compelling storyteller, relies here on convention and sentimentality.Pub Date: March 7, 2006
ISBN: 0-7434-9670-1
Page Count: 400
Publisher: Atria
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 15, 2005
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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