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JUAN VERDADES

THE MAN WHO COULDN’T TELL A LIE

As Hayes (El Cucuy!, not reviewed, etc.) explains in his author’s note, he has revised a variant of Aarne-Thompson’s tale type 889, “The Faithful Servant,” drawing on versions collected in Spain and New Mexico. Hayes makes the young woman a stronger character and adds other twists to this delightful tale, eloquently told, of two men who bet their ranches that the servant of one of them can be made to tell a lie. The reader is kept in suspense as to how the several strands of the narrative will come together: the magnificent prized apple tree, the love story of the beautiful Araceli and the servant Juan Valdez (nicknamed Verdades because he is so truthful), and the wager between the two wealthy ranchers. The final riddle, a Hayes invention, will appeal to young readers. This calls for careful listening; though the text is long, the telling is captivating. Fiedler’s (My Lady King Hatshepsut, 2001, etc.) rather somber paintings—one per double page, facing the text—in combination with Hayes’s sprinkling of Spanish phrases, provide an authentic historical northern New Mexico setting that gives the story a strong sense of time and place, making this an interesting and unusual addition to folklore collections. (Picture book/folktale. 7-12)

Pub Date: Nov. 1, 2001

ISBN: 0-439-29311-1

Page Count: 32

Publisher: Orchard/Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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