by Joe McGee ; illustrated by Charles Santoso ‧ RELEASE DATE: Aug. 29, 2017
Readers of the first book will be pleased with the continuing adventures of Abigail and Reginald, but others may want to...
The follow-up to Peanut Butter & Brains (2015) adds an interstellar element but shows that sandwich snacks can be universal.
In the town of Quirkville, living people and the undead enjoy a peaceful cohabitation. But when one-eyed green aliens demanding, “SPLOINK!?” arrive and begin shooting up the town with “cosmic grape jelly,” heroes Abigail Zink and zombie Reginald save the day with the only complementary sandwich spread (hint: it’s in the title) that will please them. As with the first book, Abigail and Reginald make a winning team, and the zombies are illustrated as cute, if a little stitched-up and gray-blue in skin tone. (Abigail is white, but the other living inhabitants of Quirkville show pleasing diversity.) But what was fizzy and fun in the first book may seem like a loose mishmash (zombies and aliens and food culture) to readers new to the concept. And the aliens themselves lack the charm of the zombies; they’re tentacled and Popsicle-shaped with sprouting antennae and potato-shaped blasters, a not-particularly-original imagining. If the aliens seem gimmicky, especially for a story set in Quirkville, the story at least has a feel-good ending free of peanut allergies, which apparently aren’t a thing in outer space.
Readers of the first book will be pleased with the continuing adventures of Abigail and Reginald, but others may want to pick that volume first or bypass this alien sighting entirely. (Picture book. 3-7)Pub Date: Aug. 29, 2017
ISBN: 978-1-4197-2530-2
Page Count: 32
Publisher: Abrams
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: July 15, 2017
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Ben Hatke ; illustrated by Ben Hatke ‧ RELEASE DATE: Sept. 29, 2020
This magical wisp of a story has an imaginative message for both planners and improvisers.
Julia decides to pack up and move her House for Lost Creatures, creating a host of problems with unexpected results.
Julia has taken in a cacophony of lost creatures: dwarves, trolls, and goblins, a singular rarity of a mermaid, and a patchwork cat, among others. But now, the house feels ready for a move. As the ghost starts to fade and the mermaid languishes, Julia puts her plan into action—packing books and stacking boxes. The move quickly turns into a series of catastrophes. Trying to retain the facade of control, Julia is dismayed to see her plans making things worse. Knowledge of the previous title, Julia’s House for Lost Creatures (2014), is a helpful introduction, as Hatke turns the solution of the first book into the problem for this one. With skillful pacing, the story has messages for both planners and creatives. The problems seem beyond resolution, keeping readers in gleeful suspended tension. While the first book introduced readers to the gnomish folletti, a hedgehoglike ghillie comes to a dramatic rescue here. There are two disparate messages in one story: Kindness will be returned, and it is OK to not have a plan. Connecting them together are lush illustrations that stretch the mind and add details to mythic beasts. Julia presents white. (This book was reviewed digitally with 8.5-by-22-inch double-page spreads viewed at 25% of actual size.)
This magical wisp of a story has an imaginative message for both planners and improvisers. (Picture book. 3-7)Pub Date: Sept. 29, 2020
ISBN: 978-1-250-19137-3
Page Count: 40
Publisher: First Second
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
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