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THE GREAT PERHAPS

Definitely out of the ordinary, and not the ideal book to digest in one sitting, but a mature step forward for this...

Purposefully fragmented, often beguiling novel about a Chicago family’s slow disintegration as its disgruntled members search in vain for the ethereal things they believe will set them free.

His back catalog is largely rooted in punk-rock and pulp-fiction attitudes, but Meno (Demons in the Spring, 2008, etc.) takes a shot at adulthood here. The Casper family patriarch is middle-aged Jonathan, who teaches paleontology at the University of Chicago. Single-mindedly on the trail of a legendary giant squid, the wretched professor is compromised by a rare form of epilepsy that causes seizures when he sees a cloud. His family is just as displeased as his disbelieving employers. Jonathan’s regretfully dutiful wife, scientist Madeline (whose chapters all come in a bothersome outline format, arranged alphabetically), has had enough of her overworked husband, the dead pigeons ruining her experiments and the mysterious “cloud-figure” she sees in the backyard. Their daughter Amelia is either raging at her elders, stumbling through the pretense of sex with a young professor or planning to build a bomb to satisfy her revolutionary instincts. Younger sister Thisbe discovers the turmoil of 14 with a frustrating crush on her classmate Roxie and a fruitless search for God in the city’s cathedrals. Jarring the story most is Jonathan’s aged father Henry, whose (possibly unreliable) memories hurl the story off in uninspired directions. Henry has decided that he will make himself disappear—if not by fleeing, which he tries often, then by speaking a little less each day. At the crossroads between all these relations is a near-divorce, some adult revelations, an adolescent breakthrough and even a few surprisingly tender moments of forgiveness.

Definitely out of the ordinary, and not the ideal book to digest in one sitting, but a mature step forward for this unsettling postmodernist.

Pub Date: May 1, 2009

ISBN: 978-0-393-06796-5

Page Count: 400

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2009

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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