Much like Aerosmith’s career, this candid memoir will be cheered by fans, but rock critics will likely be underwhelmed.
Founding member and lead guitarist of American rock band Aerosmith details his life and times in this autobiography.
One of rock’s most enduring and popular bands, Aerosmith has managed the unlikely feat of recording top hits across several decades, gaining a loyal army of fans while failing to win over the acclaim of music critics. Readers of rock autobiographies will find much familiar material here, as early struggles give way to staggering success and the accompanying roller coaster of sex, drugs, rehab, internal band squabbling, villainous management and more. This is well-trod but mostly entertaining ground, and Perry—with the assistance of veteran music writer and ghostwriter Ritz (co-author: Glow: The Autobiography of Rick James, 2014, etc.)—does a decent job keeping things moving. Aerosmith has never been accused of being an intellectual band, but the author takes pains to establish himself as a thoughtful, well-read individual with a love for nature established as a youth wandering in the New Hampshire woods. But his desire to be taken seriously leaves the narrative strangely free of humor; it doesn’t seem like compiling this book was an enjoyable task for Perry. Of the group’s other members, lead singer Steven Tyler is the only fully developed character, and Perry doesn’t hold back in airing his (many) grievances about their relationship. The memories become a little bit sharper once Perry gets sober, and the tale of the band’s entanglement with manager Tim Collins, who seemed to exhibit a cult leader–like control over the group, is perhaps the most interesting part of the book. An appendix written by Perry’s guitar techs is a bonus for guitar geeks.
Much like Aerosmith’s career, this candid memoir will be cheered by fans, but rock critics will likely be underwhelmed.Pub Date: Oct. 7, 2014
ISBN: 978-1-4767-1454-7
Page Count: 432
Publisher: Simon & Schuster
Review Posted Online: Aug. 26, 2014
Kirkus Reviews Issue: Sept. 15, 2014
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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