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THE SECRET OF GOLF

THE STORY OF TOM WATSON AND JACK NICKLAUS

Some stellar shots, a few slices and hooks, and a couple putts that hang on the lip.

An award-winning sports journalist charts the careers of and competition between Watson (the younger) and Nicklaus (the elder) as they dominated golf in the 1970s and beyond.

NBC Sports national columnist Posnanski (Paterno, 2012, etc.) scored numerous interviews with his principals over the years, but his text leans more toward the story of Watson; hovering nearby—always—is Nicklaus, whom the author declares golf’s greatest player. The author organizes the text into 18 “holes” (chapters), each of which is followed by a brief advice chapter—a sort of golfer’s guide to the game. These chapters have titles like “Play with Purpose.” Most feature Watson’s facile commentary and seem to have wandered onto Posnanski’s fairway like duffers in search of their lost balls. The principal interest here is in, well, the principals. We learn a lot about Watson: his difficult father (who never did like a shot his son hit); his obsessive, relentless practicing; his unsurpassed putting (a skill he lost later on); his right-wing politics; his bouts with alcohol when his career began to fade; his psychological makeup. We also learn about Nicklaus, though in less detail. The author reminds us of the Bear’s early-career weight problems, for example, and demonstrates the adaptations he made to his game as he aged. The golf-course battles between the two are among the highlights. Posnanski is at his best when narrating events, at his weakest when waxing philosophical. Occasionally, he clutches at cliché. “The fans were frenzied, the air felt electric,” he writes of the 1977 British Open battle between the two at Turnberry, a classic duel whose highlights readers can now revisit on YouTube. The author ends with Watson’s near-win of the Open in 2009.

Some stellar shots, a few slices and hooks, and a couple putts that hang on the lip.

Pub Date: June 9, 2015

ISBN: 978-1-4767-6643-0

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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