A wonderfully charming mixture of myth and fairy tale.
When her brave father is trapped inside the Sphinx, a fearful young girl must summon her courage to save him.
Marcy Brownstone’s father is a brave explorer who, in the previous volume, Arthur and the Golden Rope (2016), had exciting adventures based on Norse mythology. Harboring fears of the dark, Marcy worries she has not been imbued with the same fortitude as her father. When her father leaves on a quest to retrieve a magical book he believes will help her, he becomes trapped inside the Sphinx that holds it. Marcy must now gather up her resolve and carry out his rescue. This extrication is not without its challenges, as Marcy encounters larger-than-life Egyptian gods, including Thoth, Isis, and Ra. Weaving the theme of finding courage with a whimsical mix of Egyptian mythology, Todd-Stanton has constructed a remarkable world that both delights and edifies. The lush, immersive illustrations, with many full-page action sequences, are sure to enchant and envelop readers. Marcy’s white, heteronormative family gives a nod to conventional fairy-tale tropes with her nearly absent mother (who does make a fleeting cameo). However, Todd-Stanton weaves in a gentle feminist flourish as timid Marcy overcomes her fears to save her father and creates a thoughtfully distinctive take on the father-daughter relationship.
A wonderfully charming mixture of myth and fairy tale. (Picture book. 4-10)Pub Date: April 3, 2018
ISBN: 978-1-911171-19-5
Page Count: 56
Publisher: Flying Eye Books
Review Posted Online: Feb. 3, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A powerful retrospective glimpse at a key event.
A vibrantly illustrated account of the Birmingham Children’s Crusade through the eyes of a young girl who volunteers to participate.
Morrison’s signature style depicts each black child throughout the book as a distinct individual; on the endpapers, children hold signs that collectively create a “Civil Rights and the Children’s Crusade” timeline, placing the events of the book in the context of the greater movement. When Dr. Martin Luther King Jr. comes to speak at her church, a girl and her brother volunteer to march in their parents’ stead. The narrative succinctly explains why the Children’s Crusade was a necessary logistical move, one that children and parents made with careful consideration and despite fear. Lines of text (“Let the children march. / They will lead the way // The path may be long and / troubled, but I’m gonna walk on!”) are placed within the illustrations in bold swoops for emphasis. Morrison’s powerful use of perspective makes his beautiful oil paintings even more dynamic and conveys the intensity of the situations depicted, including the children’s being arrested, hosed, and jailed. The child crusaders, regardless of how badly they’re treated, never lose their dignity, which the art conveys flawlessly. While the children win the day, such details as the Confederate flag subtly connect the struggle to the current day.
A powerful retrospective glimpse at a key event. (timeline, afterword, artist’s statement, quote sources, bibliography) (Picture book. 5-9)Pub Date: Jan. 2, 2018
ISBN: 978-0-544-70452-7
Page Count: 40
Publisher: HMH Books
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK REVIEW
Warp back in time for a prehistoric spinoff adventure with Geronimo Stilton’s ancestor, Geronimo Stiltonoot, in Old Mouse City.
Readers will find Geronimo Stiltonoot a familiar character, outfitted differently from descendant Stilton yet still running a newspaper and having wild adventures. In this introduction to prehistoric mouse life, someone has stolen the most powerful and important artifact housed by the Old Mouse City Mouseum: the Stone of Fire. It’s up to Stiltonoot and his fellow sleuth and friend, Hercule Poirat, to uncover not only the theft, but a dangerous plot that jeopardizes all of Old Mouse City. As stand-ins for the rest of the Stilton cast, Stiltonoot has in common with Stilton a cousin named Trap, a sister named Thea and a nephew named Benjamin. The slapstick comedy and design, busy with type changes and color, will be familiar for Stilton readers. The world is fictionalized for comedic effect, featuring funny uses for dinosaurs and cheeky references to how far back in time they are, with only the occasional sidebar that presents facts. The story takes a bit long to get started, spending a lot of time reiterating the worldbuilding information laid out before the first chapter. But once it does start, it is an adventure Stilton readers will enjoy. Geronimo Stiltonoot has the right combination of familiarity and newness to satisfy Stilton fans. (Fiction. 6-10)
Pub Date: Jan. 1, 2013
ISBN: 978-0-545-44774-4
Page Count: 128
Publisher: Scholastic
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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