A flawed outing that may disappoint even Dicker’s fans.
Swiss writer Dicker's latest thriller concerns a corpse in a hotel room and a fight for the top job at a private Geneva bank.
As in his breakout novel, The Truth About the Harry Quebert Affair (2014), Dicker has a framing story here about a writer. Only this one is named Joël, and he refers frequently to his beloved publisher, Bernard de Fallois, the name of the real author’s publisher, who shepherded Quebert and died in 2018. Whatever tribute was intended, though, it seems a dubious one given the novel’s problems. In the framing story, the writer stumbles on an unsolved murder and investigates while using the material to write his latest thriller, which is—you guessed it. As for the corpse, the crime occurred when a new bank president was about to be named. The likeliest candidate, the former bank chief’s son, may be sidelined because 15 years earlier he traded his shares to a shady financier in exchange for something outside the banking world (the potential for spoilers makes it hard to be more precise). The heart of the story concerns a love triangle as well as the love/hate between fathers, or father surrogates, and sons. But that worthy heart is smothered in layers of adipose backstory, and the tortuous plot proves nearly impossible to follow given the constant shifts among, and fuzziness of, the three main time frames. Fast readers may get the most enjoyment from all this if they can fly lightly over the clunky dialogue, flat characters, improbable behavior (“Sagamore, swallowing the last slice of pizza, stood up”), repetitions, and clichés, and so quickly motor past the first 400 pages to the point where the investigation finally picks up some speed. But that pleasure is short-lived, for the plot twists soon take over and quickly evolve from surprising to utterly implausible.
A flawed outing that may disappoint even Dicker’s fans.Pub Date: Sept. 13, 2022
ISBN: 978-0-06-309881-7
Page Count: 592
Publisher: HarperVia
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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