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PEE-WEE’S TALE

A precocious guinea pig finds himself adrift in Central Park in a tale of high adventure. Readers follow Pee-Wee’s progress as he moves from pet shop to the apartment of his new owner, Robbie. When Robbie’s mother’s abhorrence of anything rodent-like leads to Pee-Wee’s abrupt arrival in the park, the naïve foundling endures several harrowing encounters with creatures of both the two-legged and four-legged variety. With the help of his new squirrel friend Lexi, Pee-Wee soon acquires some street smarts and a taste for freedom. A remarkable ability to read—he was taught by his mother from the newspaper scraps underneath their cage—enables Pee-Wee to warn Lexi and some other squirrel families that their trees are going to be cut down, engendering for him hero status among the park animals. When he discovers Robbie at the park one day, Pee-Wee decides that, perilous though it may be, he has learned to love his freedom. Told from the guinea pig’s perspective, the animals in Hurwitz’s tale come off sounding a whole lot more reasonable than their human counterparts. She liberally infuses the story with wry humor; the fast-talking Lexi’s speech is peppered with adages that have received a squirrel twist—“A nut in the jaw is worth two in the paw”—and keeps the tale moving at a swift pace. Brewster’s appealing pencil sketches appear sporadically throughout the text, complementing the tale. Winsome drawings depicting Pee-Wee’s wide-eyed gaze and stout, fluffy little body are sure to melt even the hardest of hearts. A caveat: this tale of freedom gained may leave readers longing to emancipate their own caged darlings. (Fiction. 7-9)

Pub Date: Oct. 1, 2000

ISBN: 1-58717-027-2

Page Count: 96

Publisher: SeaStar/North-South

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2000

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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RED-EYED TREE FROG

Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)

Pub Date: March 1, 1999

ISBN: 0-590-87175-7

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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