 
                            by Johanna Lindemann ; illustrated by Andrea Stegmaier ; translated by Polly Lawson ‧ RELEASE DATE: Sept. 19, 2023
A sweet, winning Yuletide offering.
All’s well that ends well on Christmas.
On Christmas Eve, young Emma excitedly anticipates presents and turkey. Tensions mount as Dad and stepmom Susan disagree over when Emma should see the gifts under the tree. It doesn’t help that the turkey Dad bought doesn’t fit in Susan’s roasting pan or the fridge. Deciding to wait until Christmas morning to borrow a bigger pan from neighbors, Susan stores the turkey overnight in the cool hallway outside their apartment. Next morning, it’s gone! Emma suggests eating spaghetti, but Dad and Susan decide to call on the neighbors to investigate—except for the man who lives on the top floor and never speaks to anyone. No one’s seen the turkey, but everyone’s concerned. The quest is hopeless, and stores are shuttered; it seems spaghetti will be their Christmas fare after all. But then, all the neighbors show up with food offerings and join Emma and the family at their table; afterward, everyone laughs, sings, and plays games in a spirit of rejoicing, symbolizing the true meaning of Christmas. With touches of humor, this charming story, translated from German, underplays holiday trappings and emphasizes kindness and cooperation. The delightful illustrations were created with pencils and colored digitally. Emma and her parents are pale-skinned; the neighbors are racially, ethnically, and age diverse. (This book was reviewed digitally.)
A sweet, winning Yuletide offering. (Picture book. 4-8)Pub Date: Sept. 19, 2023
ISBN: 9781782508618
Page Count: 36
Publisher: Floris
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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                            by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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                            by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Sept. 1, 2017
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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